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Hollywood Genres: Formulas, Filmmaking, and The Studio System de Thomas Schatz
Descripción - Reseña del editor The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
Detalles del Libro
- Name: Hollywood Genres: Formulas, Filmmaking, and The Studio System
- Autor: Thomas Schatz
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 17 MB
- Tipos de archivo: PDF Document
- Descargada: 435 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Hollywood Genres: Formulas, Filmmaking, and the Studio ~ Schatz provides a useful overview of "genre" in general at the start of the book, along with a chapter on the studio system which he later expanded into an excellent book, "The Genius of the System". However, Schatz tends towards the auteur ap Schatz provides a very good look at the western, the gangster film, the hard-boiled detective film, the screwball comedy, the musical, and the family .
Hollywood Genres: Formulas, Filmmaking, and The Studio ~ The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and .
Hollywood Genres.pdf / Fiction & Literature ~ Hollywood Genres is divided into two parts . Part One is primarily theoretical, concerned in general terms with the essential characteristics and the cultural role of genre filmmaking. This section does not examine any individual genres or genre films, but instead looks at the very concept of what might be termed "genre-
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