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Descripción - Críticas characterized by an always-maintained balance of grace, elegance, intellectual rigour, thorough and meticulous scholarship, clearly laid out argumentation and a wry humour (Nineteenth-Century Music Review) Reseña del editor Today we think of Heinrich Schenker, who lived in Vienna from 1884 until his death in 1935, as the most influential music theorist of the twentieth century. But he saw his theoretical writings as part of a comprehensive project for the reform of musical composition, performance, criticism, and education-and beyond that, as addressing fundamental cultural, social, and political problems of the deeply troubled age in which he lived. This book aims at an understanding of Schenker's project through reading his key works within a series of period contexts. These include music criticism, the field in which Schenker first made his name; Viennese modernism, particularly the debate over architectural ornamentation; German cultural conservatism, which is the source of many of Schenker's most deeply entrenched values; and Schenker's own position as a Galician Jew who came to Vienna just as traditional anti-semitism was becoming fully racialized. As well as presenting an unfamiliar perspective on the cultural and political ferment of fin-de-siècle Vienna, this approach reveals how deeply the social and political were thought into Schenker's theory. It also raises issues concerning the meaning and value of music theory, and the extent to which today's music-theoretical agenda unwittingly reflects the values and concerns of a very different world. Biografía del autor Nicholas Cook is Professor of Music at Cambridge University. He was Professorial Research Fellow in Music at Royal Holloway, University of London, where he directs the AHRC Research Centre for the History and Analysis of Recorded Music (CHARM). He is the author of articles and books on a wide variety of musicological and theoretical subjects (his Music: A Very Short Introduction has been translated into ten languages). He was elected Fellow of the British Academy in 2001.
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Interpreting Music - Lawrence Kramer - Google Books ~ Clear, trenchant, delightfully opinionated, and thick with virtuosic word play. This book will not disappoint.--Nicholas Cook, author of The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna Eloquently formulated and laced with wit. A major contribution to critical musicology.--Derek B. Scott, author of Sounds of the Metropolis: The 19th-Century Popular Music Revolution .
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Interpreting Music - Lawrence Kramer - Google Books ~ "Clear, trenchant, delightfully opinionated, and thick with virtuosic word play. This book will not disappoint."—Nicholas Cook, author of The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna"Eloquently formulated and laced with wit. A major contribution to critical musicology."—Derek B. Scott, author of Sounds of the Metropolis: The 19th-Century Popular Music .
Nicholas Cook - Congreso MUCA Murcia ~ His books range from Music: A Very Short Introduction, which has been translated into fifteen different languages, to The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna, which has won the Society for Music Theory’s 2010 Wallace Berry Award. His latest book, published in 2013, is Beyond the Score: Music as Performance.
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Beyond the Score: Music as Performance (English Edition ~ Nicholas Cook is the 1684 Professor of Music at the University of Cambridge. Author of Music: A Very Short Introduction, which has been translated into fifteen languages, his book The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna won the Society for Music Theory's 2010 Wallace Berry Award. He is a Fellow of the British Academy and Academia Europaea.
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