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Second Skin: Josephine Baker & the Modern Surface de Anne Anlin Cheng
Descripción - CrÃticas A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before. (cinespect.com)Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed. (Kobena Mercer, author of Welcome to the Jungle)Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations. (Andre Lepecki, author of Exhausting Dance: Performance and the Politics of Movement)In a bravura meditation on the surfaces at the core of Modernism?skin, costume, canvas screen, ornament, pattern?Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic. (Brent Hayes Edwards, author of The Practice of Diaspora)This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety. (Sianne Ngai, author of Ugly Feelings) Reseña del editor Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne A. Cheng argues that Baker's famous nakedness must be understood within larger philosophic and aesthetic debates about, and desire for, 'pure surface' that crystallized at the convergence of modern art, architecture, machinery, and philosophy. Through Cheng's analysis, Baker emerges as a central artist whose work engages with and impacts various modes of modernist display such as film, photography, art, and even the modern house. BiografÃa del autor Anne Anlin Cheng is Professor of English and African American Literature at Princeton University and the author of The Melancholy of Race: Assimilation, Psychoanalysis, and Hidden Grief.
Detalles del Libro
- Name: Second Skin: Josephine Baker & the Modern Surface
- Autor: Anne Anlin Cheng
- Categoria: Libros,Literatura y ficción,Historia, teorÃa literaria y crÃtica
- Tamaño del archivo: 13 MB
- Tipos de archivo: PDF Document
- Descargada: 253 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Second Skin: Josephine Baker & the Modern Surface - Anne ~ Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne A. Cheng argues that Baker's famous nakedness must be understood within larger philosophic and .
Second Skin: Josephine Baker & the Modern Surface: Cheng ~ Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne A. Cheng argues that Baker's famous nakedness must be understood within larger philosophic and .
Second skin : Josephine Baker and the modern surface in ~ Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more.
Second Skin - Anne Anlin Cheng - Oxford University Press ~ Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne A.
Anne Anlin Cheng, Second Skin: Josephine Baker and the ~ Anne Anlin Cheng, Second Skin: Josephine Baker and the Modern Surface (Oxford and New York: Oxford University Press, 2010, $24.95). Pp. 224. isbn978 0 1953 8705 6. - Volume 46 Issue 4 - HANNAH DURKIN
Trial Second Skin: Josephine Baker the Modern Surface ~ 2 years ago / 1 view. Click here to view ebook
Second Skin: Josephine Baker and the Modern Surface ~ The spectacular Josephine Baker emerges in this fascinating untold story as a principal figure in the drama behind the making of Euro-American Modernism. Instead of seeing her nude performances as a Primitivist given, Cheng argues that Baker's famous skin was central to the debates about and desire for "pure surface" that crystallized at the convergence of modern art, architecture, machinery .
Second Skin: Josephine Baker & the Modern Surface by Anne ~ Jan 14, 2013 - Second Skin: Josephine Baker & the Modern Surface by Anne Anlin Cheng
Skin Fashion: Josephine Baker and Dressing Race / Nka ~ Anne Anlin Cheng is professor of English and African American studies and director of the program in American studies at Princeton University. She is the author of The Melancholy of Race: Psychoanalysis, Assimilation, and Hidden Grief and Second Skin: Josephine Baker and the Modern Surface.
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Beyoncé's Second Skin (Part II): How to Be ***Flawless ~ Josephine Baker. Here I want to draw on Anne Cheng's analysis of Josephine Baker, and especially of Baker's representation as a shiny, metallic object in her studio photographs: This is indeed the first time that black skin is, and can be, glamorized.
Josephine Baker - Wikipedia ~ Josephine Baker (born Freda Josephine McDonald, naturalised French Joséphine Baker; 3 June 1906 – 12 April 1975) was an American-born French entertainer, French Resistance agent, and civil rights activist. Her career was centered primarily in Europe, mostly in her adopted France. She was the first Black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics .
Josephine Baker - Art Deco Series: Breezin' Along - ~ The surname of her second husband, who she divorced in 1925, became her own lifelong stage name: Baker. France embraced her almost immediately. Her acrobatic, nude and erotic dancing in various Paris clubs made her an instant sensation. All of this coincided with a rising interest in non-western art which led to the "Art Deco" movement.
Josephine Baker: Iconic entertainer, Resistance spy, and ~ Josephine Baker was an African-American dancer, singer and actress who skyrocketed to fame in the 1920s. Born in St. Louis, Missouri, in 1906, with the name Freda Josephine McDonald, Baker spent .
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How Josephine Baker Helped Save Post-War French Fashion ~ Some style icons never go out of fashion, and Josephine Baker is one of them. Thanks to her chocolate-colored skin, Baker was a second-class citizen in her native America -- but on the stages of 1920s Paris, she became the toast of the continent, even receiving some 1,500 marriage proposals.
Joséphine Baker — Wikipédia ~ Joséphine Baker, de son vrai nom Freda Josephine McDonald, née le 3 juin 1906 à Saint-Louis, dans le Missouri, aux États-Unis, et morte le 12 avril 1975 dans le 13 e arrondissement de Paris, en France, est une chanteuse, danseuse, actrice, meneuse de revue et résistante française d'origine américaine.. En 1937, après son mariage avec un jeune raffineur français de confession juive .
Josephine Baker / National Women's History Museum ~ Josephine Baker in Art and Life: The Icon and the Image. Urbana: University of Illinois Press,2007. Ross, Phyliss, Jazz Cleopatra: Josephine Baker in Her Time. New York: Vintage Books,1991. Related Biographies. Biography Abigail Smith Adams. Abigail Adams was an early advocate for women's rights.
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Josephine Baker Facts / Mental Floss ~ Josephine Baker was probably the closest thing the Jazz Age had to a mega-star. The Black actress/dancer was a worldwide celebrity and devoted civil rights activist who first rose to fame by .