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Italian Fascism's Empire Cinema (New Directions in National Cinemas) de Ruth Ben-Ghiat
Descripción - CrÃticas ' Italian Fascismas Empire Cinema restores [empire films] to Italian and international film history and offers a case study of the intertwining of war and cinema and the unfolding of imperial policy in the context of dictatorship. ' * Film History * 'A pathbreaking study of Fascist-era films set in Italian colonies in North and East Africa, Italian Fascism's Empire Cinema represents a major contribution to multiple fields, from the history of Italian Fascism and interwar European cultural politics to the history of colonialism and film history.' * Journal of Modern History * 'Italian Fascism's Empire Cinema is the most subtle and detailed examination we have of a crucial element of the cultural practice of 'totalitarian' dictatorship, Italian-style.5/28/15' * Times Higher Education Supplement * 'Italian Fascism's Empire Cinema contributes to an important rethinking of an understudied aspect of Italian history.... One hopes that this provocative work is only the beginning of an overdue conversation, and that future contributions will move beyond the doors of Italian archives to consult voices/sources/documents from the colonies themselves.' * H-Italy * ' In bringing this cinematic history back to life, Ruth Ben-Ghiat treads a path of uncompromising empiricism and subtle textual analysis, which connects the multiple spaces of history and film and significantly advances our understanding of Fascist Italy. ' * H-Nationalism * 'The first comprehensive scholarly study of films made in or about the African and Balkan colonies of Mussolini's fascist empire, this book is genuinely groundbreaking and exceptionally insightful. ... A balanced, judicious historian, [Ben-Ghiat] displays her wealth of archival knowledge and interpretive skills in a clear, straightforward narrative that proves utterly enthralling.... Essential.' * Choice * Reseña del editor Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini's government that took as their subjects or settings Italy's African and Balkan colonies. These 'empire films' were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship. BiografÃa del autor Ruth Ben-Ghiat is Professor of Italian Studies and History at New York University.
Detalles del Libro
- Name: Italian Fascism's Empire Cinema (New Directions in National Cinemas)
- Autor: Ruth Ben-Ghiat
- Categoria: Libros,Arte, cine y fotografÃa,PelÃculas
- Tamaño del archivo: 15 MB
- Tipos de archivo: PDF Document
- Descargada: 125 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Italian Fascism's Empire Cinema- Combined Academic ~ New Directions in National Cinemas; Italian Fascism's Empire Cinema; Italian Fascism's Empire Cinema New Directions in National Cinemas. by Ruth Ben-Ghiat. Published by: Indiana University Press. 400 pages, 152.00 x 229.00 mm, 73 b&w illus. ISBN: 9780253015525; .
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Italian fascism's empire cinema (Book, 2015) [WorldCat] ~ Empire cinema: frames and agendas --Italian cinema and the colonies to 1935 --Mapping empire cinema, 1935-1939 --Coming home to the colonies --Imperial bodies, part I: Italians and Askaris --Imperial bodies, part II: slaves of love, slaves of labor --Film policies and cultures, 1940-1943 --The end of empire. Series Title: New directions in .
Project MUSE - Italian Fascism's Empire Cinema ~ These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years.
Italian Fascism's Empire Cinema on JSTOR ~ Italian Fascism's Empire Cinema Book Description: Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini's government that took as their subjects or settings Italy's African and Balkan colonies.
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