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Palestinian Cinema: Landscape, Trauma, and Memory de Nurith Gertz
Descripción - CrÃticas Exploring Palestinian cinema from both Israeli and Palestinian perspectives, Gertz (Open Univ. and Tel Aviv Univ.) and Khleifi (Palestinian filmmaker; director, Institute of Modern Media, Al Quds Univ., Ramallah) find that as the conflict between Israel and Palestine worsens, Palestinian cinema reflects a changing and more difficult social, political, and economic environment. In the earliest Palestinian cinema (the 1970s), the individual represents an unchanging collective, its struggles, and its fate, but by the 1980s the individual has become a distinct entity. The films of the 1990s refine that approach, looking deeper at the mundane life of average Palestinians. These cinematic representations exist in dynamic opposition to Israeli character, and Palestinian cinema develops to represent this tragic relationship. The films the authors examine are well chosen: they chronicle the Palestinian effort at self-definition and preservation in the midst of continual national chaos emerges. Although the conclusions may seem obvious, two elements mark this work as seminal: the ongoing conflict makes analysis of Palestinian society and politics rare; even rarer is a concerted analytical effort by representatives of both sides. The latter, in particular, makes this volume important scholarship and (one hopes) a model for future collaboration. Summing Up: Highly recommended. All readers, all levels.S. Kowtko, Spokane Community College, Choice, September 2008 Although in recent years the entire world has been increasingly concerned with the Israeli-Palestinian conflict, there are few truly reliable sources of information about Palestinian society and culture. One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar follow the development of Palestinian cinema, commenting on its response to political and social transformations. They find that the more social, political, and economic conditions have worsened and chaos and pain prevail, the more Palestinian cinema has engaged with the national struggle.Joseph Haberer, Book Editor, SHOFAR, Vol. 27, 1 Fall 2008 'Exploring Palestinian cinema from both Israeli and Palestinian perspectives, Gertz... and Khleifi... find that as the conflict between Israel and Palestine worsens, Palestinian cinema reflects a changing and more difficult social, political, and economic environment... The films the authors examine are well chosen: they chronicle the Palestinian effort at self-definition and preservation in the midst of continual national chaos emerges... [T]wo elements mark this work as seminal: the ongoing conflict makes analysis of Palestinian society and politics rare; even rarer is a concerted analytical effort by representatives of both sides. The latter, in particular, makes this volume important scholarship and (one hopes) a model for future collaboration... Highly recommended.' -S. Kowtko, Spokane Community College, Choice, September 2008 '[O]ffers an in-depth study of an emergent body of films produced under extremely adverse circumstances; it situates these films in their historical, political, and ideological contexts; and it contributes meaningfully to our broader understanding of other 'emergent,' 'Third World,' and 'postcolonial' cinemas. Happily, it is also erudite, providing necessary information to the initiated and uninitiated alike, and it is written in clear, jargon-free language. These qualities make Palestinian Cinema at once authoritative and accessible.' -Cinema Journal Reseña del editor Although in recent years the entire world has been increasingly concerned with the Israeli-Palestinian conflict, there are few truly reliable sources of information about Palestinian society and culture. One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar, in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They reveal that the more that social, political, and economic conditions have worsened and chaos and pain prevail, the more Palestinian cinema has engaged with the national struggle. BiografÃa del autor Nurith Gertz is Professor of Cinema and Literature at the Open University and Professor and Head of the Program in Theory and History in the Department of Cinema and Television at Tel Aviv University. Her numerous books include Myths in Israeli Culture and Not From Here. She lives in Jerusalem. George Khleifi is a Palestinian filmmaker and Deputy Director of the Institute of Modern Media at Al Quds University, Ramallah. He is the author of numerous articles on Palestinian cinema. He lives in Nazareth.
Detalles del Libro
- Name: Palestinian Cinema: Landscape, Trauma, and Memory
- Autor: Nurith Gertz
- Categoria: Libros,Arte, cine y fotografÃa,PelÃculas
- Tamaño del archivo: 8 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
[Download] Palestinian Cinema: Landscape, Trauma, and Memory de Nurith Gertz libros ebooks
Palestinian Cinema: Landscape, Trauma and Memory by Nurith ~ Palestinian Cinema: Landscape, Trauma and Memory by Nurith Gertz and George Khleifi Edinburgh: Edinburgh University Press, 2008. (ISBN: 9780748634088). 224pp. Alana Vincent (University of Glasgow) I ought to begin by making a confession: I know very little about cinema. If you are reading this review in the hopes that it will reveal
Palestinian Cinema: Landscape, Trauma and Memory - Nurith ~ The reflection of the Israeli in Palestinian cinema is one more harsh and painful testimony to the resentment and hostility between the two peoples, who share a common patch of earth and landscape.Key Features*The first, serious comprehensive study of Palestinian film.*A rare collaboration between Israeli and Palestinian scholars.*A reliable insight into Palestinian society and culture, and .
Palestinian cinema : landscape, trauma and memory (Book ~ Get this from a library! Palestinian cinema : landscape, trauma and memory. [Nurith Gertz; George Khleifi] -- Two scholars - an Israeli and a Palestinian - in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations.
Palestinian Cinema: Landscape, Trauma and Memory ~ Buy Palestinian Cinema: Landscape, Trauma and Memory (Traditions in World Cinema) by Nurith Gertz, George Khleifi, Linda Badley, R. Barton Palmer (ISBN: 9780748634088) from 's Book Store. Everyday low prices and free delivery on eligible orders.
Dreams of a Nation: On Palestinian Cinema: Dabashi, Hamid ~ Palestinian Cinema: Landscape, Trauma, and Memory Nurith Gertz. 1.0 out of 5 stars 1. Paperback. $22.45. . Libro imprescindibe para el que quiera adentrarse en el tema del cine palestino. Una pena que no haya traducción al castellano. Read more. Helpful.
Palestinian Cinema & Film - Middle Eastern & North African ~ Palestinian Cinema: landscape, trauma and memory = Nof ba-ʻarafel by Nurith Gertz; George Khleifi Although in recent years the entire world has been increasingly concerned with the Israeli-Palestinian conflict, there are few truly reliable sources of information about Palestinian society and culture. One of the best sources for understanding Palestinian culture is the cinema, which has .
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Elia Suleiman - Wikipedia, la enciclopedia libre ~ Palestinian Cinema: Landscape, Trauma, and Memory. CapÃtulo 7, p. 171-189 Between exile and Homeland: The Films of Elia Suleiman , Indiana University Press, 2008, ISBN 0-253-22007-6 . (en inglés)
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Cine de Palestina - Wikipedia, la enciclopedia libre ~ BibliografÃa. Hamid Dabashi y Edward Said (prefacio) (2006): Dreams Of A Nation: On Palestinian Cinema, Verso Books, Londres, Reino Unido, ISBN 1-84467-088-0 Gertz, Nurith; Khleifi, George (2008): Palestinian Cinema: Landscape, Trauma, and Memory, Editorial de la Universidad de Indiana. ISBN 0-253-22007-6; Enlaces externos
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Filmografia sulla Palestina - Wikipedia ~ Al nakba: the Palestinian Catastrophe, regia di Joseph Rochlitz (1997) War and peace in Vesoul, regia di Amos Gitai, Elia Suleiman (1997) Mahmoud Darwich et la terre comme la langue, regia di Simone Bitton (1998) A House in Jerusalem, regia di Amos Gitai (1998) Tension, regia di Rashid Masharawi - cortometraggio (1998)
Michel Khleifi - Wikipedia ~ Biografia. Khleifi è nato e cresciuto a Nazareth.Da adolescente era appassionato di teatro e sognava di studiare cinema all'estero. In quei tempi, la sua città non poteva offrirgli il futuro che desiderava, quindi emigrò in Belgio nel 1970, dove si laureò alla scuola di cinema INSAS di Bruxelles.Al termine dei suoi studi, iniziò a lavorare per la televisione come regista di servizi .
Rashid Masharawi - Wikipedia ~ Biografia. Masharawi fu cresciuto nel campo-profughi di Al-Shati in una numerosa famiglia di rifugiati originari di Giaffa.All'età di 12 anni iniziò per necessità a lavorare come manovale, imbianchino, cameriere e lavapiatti, facendo quotidianamente la spola fra Gaza e Israele. Il padre, benché fosse diabetico e non avesse prospettive di buoni guadagni, desiderava che suo figlio .
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Rashid Masharawi - Wikipedia, la enciclopedia libre ~ Actividad profesional. Vivió hasta los 18 años en el campamento de refugiados donde habÃa nacido. A esa edad empezó a trabajar en el campo audiovisual en diversos puestos, incluida la dirección de arte, y a partir de 1986 comenzó a dirigir sus pelÃculas convirtiéndose en el primer director de cine palestino que trabajaba en la industria fÃlmica israelà en el contexto del conflicto .
Ibrahim Ghannam - Wikipedia, la enciclopedia libre ~ Ibrahim Hassan Kheite (Haifa, Mandato Británico de Palestina, 1930 – Beirut, El LÃbano, 1984), más conocido por su nombre artÃstico Ibrahim Ghannam, fue un artista palestino considerado como uno de los fundadores del movimiento de arte plástico palestino. [1] Sus pinturas se focalizan en describir la vida diaria del pueblo Palestino antes del Nakba, pintando escenas con un estilo naif y .
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