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Theory of Musical Narrative (Musical Meaning and Interpretation) de Byron Almen
Descripción - Críticas '[N]atural, elegant, and convincing... a must for all music theory collections. Summing Up: Essential. Upper-division undergraduates through researchers and faculty.' * Choice * 'A Theory of Musical Narrative is an impressive and thought-provoking study which includes many fascinating ideas and insights as well as a comprehensive critique of previous literature.' * Music Analysis * Reimagining literary narrative theory in musical terms, Almen (Univ. of Texas, Austin) has appropriated, explicitly, various constructs and methods, albeit with qualification. The endeavor is informed by semiotic and topic theories-The Semiotics of Music, ed. by Eero Tarasti (1987), was a progenitor. That the outcome seems so natural, elegant, and convincing testifies to the author's careful work and deep understanding. He asserts that the book does not provide an analytic method but, rather, a framework; several analyses, large and small, will serve as a primer for others. In the first part of the book, Almen explains the theoretical underpinning; in the second part, he introduces four narrative archetypes that correspond precisely to the four mythoi Northrop Frye gave in his essay 'Archetypal Criticism' (Anatomy of Criticism, 1957). It would seem that Almen's theory can be applied as a means of understanding any musical work, regardless of type or style or purpose. Might a fundamental connectedness of seemingly disparate musics be revealed? That would be something. The book is out of range for all but the most intrepid undergraduates, but it is a must for all music theory collections. Summing Up: Essential. Upper-division undergraduates through researchers and faculty. -Choice -- B. J. Murray, Brevard College Reseña del editor Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative illustrated by a wide variety of musical examples that highlight the range and applicability of the theoretical apparatus. Almen provides a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrative provides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics. Biografía del autor Byron Almen is Associate Professor of Music Theory at The University of Texas at Austin. He is coeditor of Approaches to Meaning in Music and coauthor of Tonal Harmony.
Detalles del Libro
- Name: Theory of Musical Narrative (Musical Meaning and Interpretation)
- Autor: Byron Almen
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 17 MB
- Tipos de archivo: PDF Document
- Descargada: 253 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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A theory of musical narrative (eBook, 2008) [WorldCat] ~ A theory of musical narrative. An introduction to narrative analysis : Chopin's prelude in G major, op. 28, no. 3 ; Perspectives and critiques ; A theory of musical narrative : conceptual considerations ; A theory of musical narrative : analytical considerations ; Narrative and topic --Archetypal narratives and
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