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Descripción - Reseña del editor A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think-rather than just perform or perceive-movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems. Biografía del autor Stamatia Portanova is an independent scholar.
Moving without a Body: Digital Philosophy and ~ Moving without a Body: Digital Philosophy and Choreographic Thought Technologies of Lived Abstraction Series by Stamatia Portanova 23-Apr-2013 Hardcover: : Stamatia Portanova: Libros
Moving without a Body: Digital Philosophy and ~ Moving without a Body: Digital Philosophy and Choreographic Thoughts (Technologies of Lived Abstraction) (English Edition) eBook: Portanova, Stamatia: : Tienda Kindle
Moving without a Body / The MIT Press ~ A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of .
Moving without a body : digital philosophy and ~ Get this from a library! Moving without a body : digital philosophy and choreographic thought. [Stamatia Portanova] -- Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, .
(PDF) Review: Moving Without A Body: Digital Philosophy ~ In Moving without a Body: Digital Philosophy and Choreographic Thought s Stamatia Portanova examines shifts in choreographic thinking and understanding due to the emergence of digital technologies.
Moving without a Body / ARTECA ~ Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body , Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system.
Moving without a Body: Digital Philosophy and ~ Moving without a Body: Digital Philosophy and Choreographic Thoughts Technologies of Lived Abstraction: : Portanova, Stamatia, Massumi, Brian, Manning .
CiNii 図書 - Moving without a body : digital philosophy and ~ Moving without a body : digital philosophy and choreographic thoughts Stamatia Portanova (Technologies of lived abstraction / Brian Massumi and Erin Manning, editors) MIT Press, c2013 : hardcover
SPECIAL ISSUE HUMAN TECHNOLOGY CHOREOGRAPHIES: BODY ~ methodological terms of designing for and with the lived body (see Svanæs, 2013), that is, investigating meaningful and situationally appropriate physical interactions. The papers of the other subtheme (moving by design) take the inverse approach by acknowledging how technology
Virtual Reality and Choreographic Practice: The Potential ~ the dancing body. The cyclical process of live body to virtual, back to the dancing body as a choreographic device is an innovative way to approach practice. This approach may lead to new insights and innovations in choreographic methods that may extend beyond the project and ultimately take dance performance in a new direction.
Moving without a Body eBook por Stamatia Portanova ~ Lee "Moving without a Body Digital Philosophy and Choreographic Thoughts" por Stamatia Portanova disponible en Rakuten Kobo. A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm..
BODIES MOVING AND MOVED - TUNI ~ me to listen to the moving body, opening a new world from and into the body and its movements. Later, taking part in improvisation and release technique classes, I came upon the pleasure the moving body takes in being led by its internal “logic”, the reasons of the lived body. This path led me into hours engaged in studying movements.
Portanova Stamatia - Curriculum vitae ~ 2013: Moving without a Body: Digital Philosophy and Choreographic Thoughts, pubblicato nella serie “Technologies of Lived Abstraction” a cura di Brian Massumi ed Erin Manning, The MIT Press. Articoli. In raccolte
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Simple Choreographic Motions of N Bodies: A Preliminary ~ Abstract. A “simple choreography” for an N-body problem is a periodic solution in which all N masses trace the same curve without colliding. We shall require all masses to be equal and the phase shift between consecutive bodies to be constant.
Perception, Body, and the Sense of Touch: Phenomenology ~ In recent philosophy of mind, a series of challenging ideas have appeared about the relation between the body and the sense of touch. In certain respects, these ideas have a striking affinity with Husserl’s theory of the constitution of the body. Nevertheless, these two approaches lead to very different understandings of the role of the body in perception.
Sound, Music and the Moving-Thinking Body ~ The Sound, Music and the Moving-Thinking Body conference convened by Marilyn Wyers documented in this book, provided a vital forum for such explorations which aims to address such issues confronting traditional boundaries of thought in relation to the nature of collaboration. Professor Roger Redgate Goldsmiths, University of London
PHILOSOPHY OF CONSCIOUSNESS AND THE BODY ~ PHILOSOPHY OF CONSCIOUSNESS AND THE BODY Forthcoming in Beth Lord and John Mullarkey, eds., Continuum Companion to Continental Philosophy (London and New York: Continuum, 2009). John Protevi Department of French Studies Louisiana State University DRAFT OF 21 JULY 2008. DO NOT CITE. COMMENTS WELCOME: protevi@lsu.edu. INTRODUCTION
Human Communication - marcel mauss: techniques of the body ~ I think most of these body techniques continue occurring without much thought. We never stop and ask why we women tend to fold our thumb inside our fists as opposed to outside. I wonder which really plays a bigger role: natural intuition and scientific makeup or tradition taught by society.
Techniques of the Body - Monoskop ~ have often thought about this 'miscellaneous', at least as often as I have been obliged to discuss it and often in between times. Forgive me if, in order to give this notion of techniques of the body shape for you, I tell you about the occasions on which I pursued this general problem and how I managed to pose it clearly. It was a series
Human Anatomy and Disease in Interactive 3D / BioDigital ~ The BioDigital Human is a virtual 3D body that visualizes human anatomy, disease and treatments in an interactive 3D web platform
Art as the Expression of Emotion in the Language of ~ philosophy of art is mainly negative: it is more worried about criticizing Collingwood's view than about understanding it. The aim of this exposition is not to defend Collingwood's explanation of art, but to show important errors of interpretation that have become a common place in the objections that are made against his proposal.
BODY PHILOSOPHY ~ Labial. Este bálsamo labial extremadamente mudo se caracteriza por una textura poco seca que se desliza hacia los labios y la fuerza,y lleva mucho tiempo de color.
BioDigital Human: Anatomy and Health Conditions in ~ The BioDigital Human is a virtual 3D body that brings to life thousands of medically accurate anatomy objects and health conditions in an interactive Web-based platform