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Digital Performance - A History of New Media in Theatre, Dance, Performance Art and Installation (Leonardo) de Steve (Brunel University) Dixon
Descripción - CrÃticas 'A lively and contentious introduction to the history, theory, and practice of digital media in performance. Dixon's book provides the solid grounding this ongoing discussion so urgently needs.'--Philip Auslander, School of Literature, Communication, and Culture, Georgia Institute of Technology 'Like the performance art of which it represents such a brilliant history, Digital Performance is itself literally that -- not only a superb history of new media but a field-defining performance of the trace of the digital in theater, dance, and installation. To read this book is to enter deeply into the creative artistic imagination which codes so much of contemporary digital experience.' Arthur Kroker , Canada Research Chair in Theory, Technology, and Culture, University of Victoria, Canada 'There is a fine irony in the very 'bookness' of this vast and startling work. As book, what Steve Dixon has set out to produce here is stunning, monstrous in its dimensions -- virtually impossible. If you have any interest at all in recent histories of performance, this is precisely why you need to get hold of it.' Susan Melrose , Professor in Performance Arts, Middlesex University, UK 'Like the performance art of which it represents such a brilliant history, *Digital Performance* is itself literally that -- not only a superb history of new media but a field-defining performance of the trace of the digital in theater, dance, and installation. To read this book is to enter deeply into the creative artistic imagination which codes so much of contemporary digital experience.'--Arthur Kroker, Canada Research Chair in Theory, Technology, and Culture, University of Victoria, Canada 'There is a fine irony in the very 'bookness' of this vast and startling work. As *book*, what Steve Dixon has set out to produce here is stunning, monstrous in its dimensions -- virtually impossible. If you have any interest at all in recent histories of performance, this is precisely why you need to get hold of it.'--Susan Melrose, Professor in Performance Arts, Middlesex University, UK Reseña del editor The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the 'extratemporal' illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance-including what he calls postmodernism's denial of the new-and offers a series of boldly original arguments in their place. BiografÃa del autor Steve Dixon is President of LASALLE College of the Arts, Singapore.
Detalles del Libro
- Name: Digital Performance - A History of New Media in Theatre, Dance, Performance Art and Installation (Leonardo)
- Autor: Steve (Brunel University) Dixon
- Categoria: Libros,Arte, cine y fotografÃa,Otros soportes y técnicas
- Tamaño del archivo: 14 MB
- Tipos de archivo: PDF Document
- Descargada: 714 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descarga Digital Performance - A History of New Media in Theatre, Dance, Performance Art and Installation (Leonardo) de Steve (Brunel University) Dixon Libro PDF
Digital Performance: A History of New Media in Theater ~ The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web.
Digital Performance: A History of New Media in Theater ~ Lavender, AM (2009) Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. By Steve Dixon with contributions by Barry Smith. Cambridge, MA and London: The MIT Press, 2007. Pp. xv + 809 + illus. Hb.MultiMedia: Video – Installation – Performance.
Digital Performance: A History of New Media in Theater ~ The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive .
Digital performance : a history of new media in theater ~ The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web.
Digital Performance A History Of New Media In Theater ~ Digital Performance A History Of New Media In Theater Dance Performance Art And Installation Leonardo Book Series. Welcome,you are looking at books for reading, the Digital Performance A History Of New Media In Theater Dance Performance Art And Installation Leonardo Book Series, you will able to read or download in Pdf or ePub books and notice some of author may have lock the live reading for .
Digital performance : a history of new media in theater ~ Get this from a library! Digital performance : a history of new media in theater, dance, performance art, and installation. [Steve Dixon; Barry Smith]
Digital performance : a history of new media in theater ~ Get this from a library! Digital performance : a history of new media in theater, dance, performance art, and installation. [Steve Dixon] -- "In the past decade digital media has been increasingly incorporated into live theater and dance, and forms of interactive performance have emerged in participatory installations, on CD-ROM, and on .
DIGITAL PERFORMANCE: A HISTORY OF NEW MEDIA IN THEATRE ~ DIGITAL PERFORMANCE: A HISTORY OF NEW MEDIA IN THEATRE, DANCE, PERFORMANCE ART, AND INSTALLATION. By Steve Dixon with contributions by Barry Smith. Cambridge: The MIT Press, 2007; pp. 808. $50.00 cloth. In keeping with this issue’s exploration of new paradigms in theatre scholarship,
Digital Performance: A History of New Media in Theater ~ Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation by Steve Dixon Article in Leonardo 41(3):294-295 · June 2008 with 707 Reads How we measure 'reads'
Digital Performance / The MIT Press ~ The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive .
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Digital Performance: A History of New Media in Theater ~ " Like the performance art of which it represents such a brilliant history, "Digital Performance" is itself literally that— not only a superb history of new media but a field-defining performance of the trace of the digital in theater, dance, and installation.
ART OF THEATRE ON NEW MEDIA PLATFORM & AUDIENCE VIEWING ~ Interactive media are giving birth to new art forms, and the practice and history of theatre has a great deal to contribute to these new forms. The primary focus of this paper is the role of new media in theatre--"theatre" here referring to the old-fashioned, non participatory performance
Digital media theatre performance in Arts @ Artaud ~ this is a work in progress of my final year project: Digital media theatre performance, that was exhibited in Arts @ Artaud exhibition event. In this performance there are multiple video clips by .
Performance Art / Definition of Performance Art by Merriam ~ Performance art definition is - a nontraditional art form often with political or topical themes that typically features a live presentation to an audience or onlookers (as on a street) and draws on such arts as acting, poetry, music, dance, or painting.
Conservation and restoration of performance art - Wikipedia ~ The conservation and restoration of performance art is the process of documenting, collecting, and prolonging the life of Performance Art.Performance Art often features a live presentation initially documented by an artist, cultural institution, or host location. This genre of art can take place in a wide range of mediums, and is usually based on four core elements: Time, Space, the Performer .
Performance art / Britannica ~ Performance art arose in the early 1970s as a general term for a multitude of activities—including Happenings, body art, actions, events, and guerrilla theatre.It can embrace a wide diversity of styles. In the 1970s and ’80s, performance art ranged from Laurie Anderson’s elaborate media spectacles to Carolee Schneeman’s body ritual and from the camp glamour of the collective known as .
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Media, Art and Performance Studies - Masters - Utrecht ~ Emerging technologies and practices in transition. This Research Master's programme in Media, Art and Performance Studies is an interdisciplinary and internationally oriented research-based programme which offers an advanced training in academic research skills appropriate for today's highly dynamic and interdisciplinary field of media, visual arts and performance.
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