Lee un libro Engaging Symbols: Gender, Politics and Public Art in Fifteenth-century Florence de Adrian W. B. Randolph libros ebooks, Engaging Symbols: Gender, Politics and Public Art in Fifteenth-century Florence Libro pdf gratis
Engaging Symbols: Gender, Politics and Public Art in Fifteenth-century Florence de Adrian W. B. Randolph
Descripción - CrÃticas 'Randolph contributes to the field of Florentine art history with nuance and flair, standing out for his engagement with gender studies, literary and cultural theory, and methodology.' Cristelle Baskins, Tufts University Reseña del editor During the 15th century, Florence emerged as one of Europe's most important city-states. This text investigates the fascinating intersection of art, politics and gender in the public sphere of Florence at this time. Adrian Randolph identifies a pivotal moment in the history of public art when Florentines visually encoded political and social relations within gendered categories. Randolph shows how 'engaging' political symbols were grounded in a revolutionary way in amorous discourses that drew on metaphors of affection, desire, courtship, betrothal, marriage, homo- and hetero-eroticism, and procreation. The author emphasizes the sculpture of Donatello and the Medici family's efforts to seek legitimacy through artistic patronage. To characterize the political function of art, however, the text also encompasses a broad array of media - including paintings by Botticelli, portrait medals, and especially engravings - and tracks a number of important political developments. During the course of the 15th century, as tensions grew between Florence's explicit republicanism and a waxing politics of personal charisma, art was employed to alleviate the uneasiness, Randolph argues. First an oligarchical government and then three generations of Medici rulers, recognizing the importance of political appearances, carefully crafted images of themselves, their city, and the consensual relation they imagined existing between the two. Randolph aims to cast new light on these artistic practices to arrive at a convincing view of the connections among politics, gender and art in quattrocento Florence. BiografÃa del autor Adrian W. B. Randolph is associate professor of art history at Dartmouth College.
Detalles del Libro
- Name: Engaging Symbols: Gender, Politics and Public Art in Fifteenth-century Florence
- Autor: Adrian W. B. Randolph
- Categoria: Libros,Libros universitarios y de estudios superiores,Humanidades
- Tamaño del archivo: 10 MB
- Tipos de archivo: PDF Document
- Descargada: 637 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Lee un libro Engaging Symbols: Gender, Politics and Public Art in Fifteenth-century Florence de Adrian W. B. Randolph Libros Gratis en EPUB
16. Judith between the Private and Public Realms in ~ 9 For the image of Judith in Florentine art, see Adrian W. B. Randolph, Engaging Symbols: Gender, Politics, and Public Art in Fifteenth-Century Florence (New Haven, CT, and London: Yale University Press, 2002), pp. 242–85.
Sandro Botticelli: Judit (El retorn de - Arts i Humanitats ~ Engaging Symbols: Gender, Politics and Public Art in Fifteenth-Century Florence. New Haven: Yale University Press. 352 pà gs. Dr. Joan Campàs Montaner jcampas@uoc.edu Aura digital Estudis d’Arts i Humanitats de la UOC. Materials del Curs L’art dels museus: els Uffizi 1. Desconstruint alguns mites del Renaixement 2.
Family Jewels: The Gendered Marking of Medici Women in ~ Medici (Florence, 2001), 65-93. For a socio-political interpretation of the meaning of the Medici's diamond ring impresa in the fifteenth century, see Adrian W. B. Randolph, "Engaging Symbols: Legitimacy, Consent, and the Medici Diamond Ring," in Engaging Symbols: Gender, Politics and Public Art in Fifteenth-Century Florence (New Haven, 2002 .
Subasta de Libros de FotografÃa, Arte y Automovilismo de ~ Title: Subasta de Libros de FotografÃa, . Adrian W. B. Engaging Symbols, Gender, Politics, and Public Art in Fifteenth-Century Florence.
16. Judith between the Private and Public realms in ~ public imagery, see Gary M. Radke (ed.), Verrocchio’s David Restored: A Renaissance Bronze from the National Museum of the Bargello, Florence (Atlanta, GA: High Museum of Art, 2003). 9 For the image of Judith in Florentine art, see Adrian W. B. Randolph, Engaging Symbols: Gender, Politics, and Public Art in Fifteenth-Century Florence (New Haven,
Villa Speranza: I canoni della bellezza maschile nell'arte ~ Engaging Symbols: Gender, Politics, and Public Art in Fifteenth-Century Florence (New Haven,Conn.: Yale University Press). Love poetry written by men to men is considerably more abundant in Renaissance Latin literature. In the vernacular tradition, love poetry written by male poets to male addressees is unusual but not unheard of.
Sandro Botticelli: La calúmnia d’Apel·les - Arts i Humanitats ~ Art and Phenomenology. Nova York / Londres. Routledge. Ramesh Kieron Ramsahoye: «Cistercian Spirituality, Sacred Drama and Florentine Civic Identification in Botticelli’s Cestello Annunciation», Artefact, The Irish Association of Art Historians, nº 6, 2011. Pà gs. 47-60.
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Portrait of a Man with a Medal of Cosimo the Elder ~ Portrait of a Man with a Medal of Cosimo the Elder, also known as Portrait of a Youth with a Medal, is a tempera painting by Italian Renaissance painter Sandro Botticelli.The painting features a young man displaying in triangled hands a medal stamped with the likeness of Cosimo de' Medici.The identity of the young man has been a long-enduring mystery.
Comparar y Contrastar / Escultura / Mecenazgo ~ Comparar y Contrastar: Las dos obras a comentar son esculturas en bulto redondo, una realizada en bronce y la otra en mrmol. Se trata de El David de Donatello, realizado aproximadamente entre 1435 y 1445 que se encuentra actualmente en el Palacio Bargello, y El David de Gian Lorenzo Bernini, realizado entre 1623 y 1624, ubicado en la Galera Borghese.
Randolph, Adrian W.B. / Humphrey, Peter / Goffen, Rona ~ Libros sobre Artistas Renacentistas. a) Randolph, Adrian W.B. Engaging Symbols, Gender, Politics, and Public Art in Fifteenth-Century Florence. New Haven and London: Yale University Press, 2002.
Portrait of a Man with a Medal of Cosimo the Elder - Wikipedia ~ Portrait of a Man with a Medal of Cosimo the Elder, also known as Portrait of a Youth with a Medal, is a tempera painting by Italian Renaissance painter Sandro Botticelli.The painting features a young man displaying in triangled hands a medal stamped with the likeness of Cosimo de' Medici.The identity of the young man has been a long-enduring mystery.
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WikiZero - Portrait of a Man with a Medal of Cosimo the Elder ~ The identity of the young man in the portrait has never been agreed, but there has been considerable speculation. Writing in 1900, art historian George Noble Plunkett colorfully identified whom he believed the youth portrayed: . one realizes painfully that this is the Piero who has left an indelible stain on the Medici family by his betrayal of Florence.
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CORE ~ As symbols of beauty, courtesans participated in Venetian civic spectacles, while Florentine youths engaging in competitive sports in the public arena were widely admired for their physique. Sources pertaining to artistic practices regarding the observation of the live model reveal that artists sought the same physical qualities as those appreciated by society at large.