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Studies in Historical Improvisation: From Cantare super Librum to Partimenti de Massimiliano Guido

Descripción - Críticas 'The book ‘offers a first systematic exploration of the tight relationship between improvisation, music theory and practical musicianship from the late Renaissance to the Baroque period’ (though one of the most interesting chapters, by the Italian scholar Giorgio Sanguinetti, extends to an examination of ‘incomplete notation’ in Mozart’s keyboard music, and how this might be ‘realised’).' ?Tom Cooper, The Consort Early Music Journal, vol.74, Summer 2018

'The rich panorama of historical techniques and traditions illuminated by Guido’s collection will be of interest to scholars, instructors, and practitioners alike. Indeed, it is the counterpoint among philological work, active music-making, and old teaching made new that generates such insight; the treatment of these traditions under one cover highlights connections between scholarship and practice on the one hand, and among different styles within the book’s chronological window (1500–1750) on the other hand. ... The collection demonstrates that the project of historical improvisation can indeed succeed through the ongoing collective efforts of, and the dialogues between, scholars and practitioners.' ? Gilad Rabinovitch, Music Theory Online, vol. 23, no. 4, December 2017 Reseña del editor In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour-a musical blossoming out of the capricious genius of the player-that dominated throughout the twentieth century. In the Renaissance and Baroque eras, composing in the mind (alla mente) had an important didactic function. For several categories of musicians, the teaching of counterpoint happened almost entirely through practice on their own instruments. This volume offers the first systematic exploration of the close relationship among improvisation, music theory, and practical musicianship from late Renaissance into the Baroque era. It is not a historical survey per se, but rather aims to re-establish the importance of such a combination as a pedagogical tool for a better understanding of the musical idioms of these periods. The authors are concerned with the transferral of historical practices to the modern classroom, discussing new ways of revitalising the study and appreciation of early music. The relevance and utility of such an improvisation-based approach also changes our understanding of the balance between theoretical and practical sources in the primary literature, as well as the concept of music theory itself. Alongside a word-centred theoretical tradition, in which rules are described in verbiage and enriched by musical examples, we are rediscovering the importance of a music-centred tradition, especially in Spain and Italy, where the music stands alone and the learner must distil the rules by learning and playing the music. Throughout its various sections, the volume explores the path of improvisation from theory to practice and back again. Biografía del autor Massimiliano Guido is a Senior Researcher at the Department of Musicology and Cultural Heritage of Pavia University, Italy, where he teaches courses in history of music theory and history of musical instruments. Previously he served as a Banting Post-Doctoral Fellow at the Schulich School of Music, McGill University, Canada, working with Peter Schubert on a project about the art of memory at the keyboard as a tool for teaching counterpoint (2012–14). He was the principal investigator of the research project Improvisation in Classical Music Education: Rethinking our Future by Learning our Past, funded by the Social Sciences and Humanities Research Council of Canada (2013–14). He holds degrees in musicology (Pavia Univ. Doctorate and Laurea, Göteborg Univ. Master of Music Research), organ (Parma Conservatory, Italy), and harpsichord (Como Conservatory, Italy). He combines musicological research with organ teaching and performance.

Detalles del Libro

  • Name: Studies in Historical Improvisation: From Cantare super Librum to Partimenti
  • Autor: Massimiliano Guido
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 18 MB
  • Tipos de archivo: PDF Document
  • Descargada: 253 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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Studies in Historical Improvisation eBook de ~ Lee "Studies in Historical Improvisation From Cantare super Librum to Partimenti" de disponible en Rakuten Kobo. In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as i.

Studies in Historical Improvisation: From Cantare super ~ Studies in Historical Improvisation: From Cantare super Librum to Partimenti (English Edition) eBook: Guido, Massimiliano: .mx: Tienda Kindle

Studies in Historical Improvisation From Cantare super ~ Studies in Historical Improvisation From Cantare super Librum to Partimenti guido massimiliano (curatore) Disponibilità: Momentaneamente non ordinabile Attenzione: causa emergenza sanitaria gli ordini saranno spediti a partire dal 3 aprile o appena le disposizioni del governo lo permetteranno.

Peter van Tour ~ Studies In Historical Improvisation, ed. by Massimiliano Guido Studies in Historical Improvisation: From Cantare Super Librum to Partimenti, edited by Massimiliano Guido (London: Routledge, 2017). [Chapter 8: pp. 131–48] Peter van Tour, “Partimento teaching according to Francesco Durante, investigated through the earliest manuscript sources.”

Improvisation around 1600 - Introduction - Early Music Sources ~ The quotes from this footnote and the above two footnotes are mentioned and translated in Philippe Canguilhem, "Toward a stylistic history of Cantare super librum", in Studies in Historical Improvisation: from Cantare super Librum to Partimenti, ed. Massimiliano Guido (Routledge, 2017), pp. 57-58.

Giorgio SANGUINETTI – Dottorato di ricerca in Beni ~ Capitoli di libro. G. SANGUINETTI, Partimento and Incomplete Notations in Eighteenth-Century Keyboard Music, in Studies in historical improvisation: from cantare super librum to partimenti, edited by M. Guido, Oxford -New York, Routledge, 2017, pp. 149-171 [ISBN 9781472473271].

Improvisation (musique) - Rameau - accueil (data.bnf) ~ Studies in historical improvisation from Cantare super librum to partimenti (2017) Improvisation and social aesthetics (2017) Perspectives philosophiques sur les musiques actuelles (2017) Improvisation and inventio in the performance of medieval music (2017) Improvisation so piano .

Notizie sugli autori - bollettinostudibelliniani.eu ~ sull’improvvisazione. È il curatore di Studies in Historical Improvisation: from Cantare super Librum to Partimenti (Routledge, 2017). daniela Macchione insegna Storia della Musica al Conservatorio di musica “F. Morlac-chi” di Perugia ed è General Editor della serie «Sergei Rachmaninoff Complete Edition»

Improvisation (musique) - Rameau - accueil (data.bnf) ~ Studies in historical improvisation from Cantare super librum to partimenti (2017) Techniques d'improvisation cliniques en musicothérapie (2017) Doing Jazz (2017) La musique de l'instant (2016) A listener's guide to free improvisation (2016) L'improvisation musicale collective .

From Matrix to Model: Conceptualising Improvised ~ 75 Matrix and Model in Fugal Expositions In a recent article in Eighteenth-Century Music, Bruno Gringras points to the gulf between realising a fugue from a partimento bass and actually improvising one from scratch.9 Nowhere is this more apparent than in the exposition, where traditionally things are most

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ON FEDELE FENAROLI'S PEDAGOGY: AN UPDATE / Eighteenth ~ For more specific information about the latter see Peter van Tour's excellent article ‘Partimento Teaching according to Francesco Durante, Investigated through the Earliest Manuscript Sources’, in Studies in Historical Improvisation: From ‘Cantare super Librum’ to ‘Partimenti’, ed. Massimiliano Guido (London: Routledge, 2017), 131–148.

Bibliography / flautadepico.consev ~ Galán, Santiago, La teoría de canto de órgano y contrapunto en el Renacimiento español. La Sumula de canto de organo de Domingo Marcos Durán como modelo, 2016, Editorial Alpuerto; Guido, Massimiliano, ed., Studies in Historical Improvisation from Cantare super Librum to Partimenti, 2017, Routledge

By Giorgio Sanguinetti - The Art of Partimento: History ~ By Giorgio Sanguinetti - The Art of Partimento: History, Theory, and Practice (2012-08-10) [Gebundene Ausgabe] / Giorgio Sanguinetti / ISBN: / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .

“Espone le cose sue partite a tutti per indurli alla ~ Canguilhem, Philippe. “Toward a Stylistic History of Cantare super Librum”. In Studies in Historical Improvisation: From Cantare super Librum to Partimenti, a cura di Massimiliano Guido, 55–71. Abingdon-on-Thames: Routledge, 2017. Cerreto, Scipione.

Improvising Early Music: The History of Musical ~ Improvising Early Music: The History of Musical Improvisation from the Late Middle Ages to the Early Baroque: the history of musical improvisation from the late meddle ages to the early baroque: : Wegman, Rob C., Menke, Johannes, Schubert, Peter: Libri in altre lingue

The Art of Partimento: History, Theory, and Practice by ~ The Art of Partimento: History, Theory, and Practice by Giorgio Sanguinetti(2012-05-01) / / ISBN: / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .

Improvising Early Music: the history of musical ~ Improvising Early Music: the history of musical improvisation from the late meddle ages to the early baroque Geschriften van het Orpheus Instituut/Collected Writings of the Orpheus Institute: : Wegman, Rob, Menke, Johannes, Schubert, Peter: Libros en idiomas extranjeros

L'Improvisation Polyphonique a la Renaissance Arts de la ~ L'Improvisation Polyphonique a la Renaissance Arts de la Renaissance européenne: : Philippe Canguilhem: Libros en idiomas extranjeros

TermsVector search - b-ok.xyz ~ Studies in Historical Improvisation: From Cantare super Librum to Partimenti. Routledge. Massimiliano Guido (Editor) music 570. improvisation 317. counterpoint 292. partimento 248. century 213. example 211. musical 206. bass 197. students 182. partimenti 175. university 158. renaissance 151. practice 148. theory 147. . Studies in Renaissance .

directory.uniroma2 ~ Ha svolto attività di pianista solista e in formazioni da camera. La Oxford University Press ha pubblicato il suo ultimo libro: The Art of Partimento. History, Theory and Practice (New York , 2012). Giorgio Sanguinetti teaches at the University of Rome-Tor Vergata.

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Music Composition Pedagogy Williams Benjamin John / Music ~ Music Composition Pedagogy Williams Benjamin John - Free ebook download as PDF File (.pdf), Text File (.txt) or read book online for free. pedagogia composicion