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Overtones and Undertones: Reading Film Music de Royal S. Brown

Descripción - Críticas 'What distinguishes this groundbreaking work is the thorouhness with which Brown develops his philosophical and theoretical framework to explain the effectiveness and theoretical framework to explain the effectiveness of music in film.'--'Choice Reseña del editor Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to 'hear' the film score, but to understand it in relation to what they 'see'. Unlike earlier books, which offered historical, technical, and socio political analysis, 'Overtones and Undertones' draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including 'Psycho', 'Laura', 'The Sea Hawk', 'Double Indemnity', and 'Pierrot le Fou'. In revealing interviews with Bernard Herrmann, Miklos Rosza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume. Nota de la solapa 'Brown brings music theory to bear upon film theory, and the result is startling. . . . An extremely important work.'—William Van Wert, Temple University'Royal S. Brown has contributed a major resource on film music. Overtones and Undertones is an outstanding in-depth exploration of the relationship between music and motion picture.'—Fred Karlin, composer'Royal Brown's book on film music, Overtones and Undertones, is a remarkable document: an enormous amount of information assembled and made sense of by a fine intellect. Prof. Brown demonstrates that it is indeed possible for an academic—and a professor of Romance Languages at that—to deal intelligently with our esoteric art.'—David Raksin,composer Contraportada 'Brown brings music theory to bear upon film theory, and the result is startling. . . . An extremely important work.'--William Van Wert, Temple University'Royal S. Brown has contributed a major resource on film music. 'Overtones and Undertones is an outstanding in-depth exploration of the relationship between music and motion picture.'--Fred Karlin, composer'Royal Brown's book on film music, 'Overtones and Undertones, is a remarkable document: an enormous amount of information assembled and made sense of by a fine intellect. Prof. Brown demonstrates that it is indeed possible for an academic--and a professor of Romance Languages at that--to deal intelligently with our esoteric art.'--David Raksin, composer Biografía del autor Royal S. Brown is Professor and Chair of the Film Studies Program at Queens College, and editor of Focus on Godard.

Detalles del Libro

  • Name: Overtones and Undertones: Reading Film Music
  • Autor: Royal S. Brown
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 7 MB
  • Tipos de archivo: PDF Document
  • Descargada: 264 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


Descargar Overtones and Undertones: Reading Film Music de Royal S. Brown Libros Gratis en EPUB

Overtones and Undertones: Reading Film Music (English ~ "Overtones and Undertones is an outstanding in-depth exploration of the relationship between music and motion picture."--Fred Karlin, composer "Royal Brown's book on film music, "Overtones and Undertones, is a remarkable document: an enormous amount of information assembled and made sense of by a fine intellect. Prof.

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Overtones and Undertones: Reading Film Music Author: Royal ~ Overtones and Undertones: Reading Film Music Author: Royal S. Brown published on October, 1994: : Libros

Overtones and Undertones: Reading Film Music - Royal S ~ Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation .

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Overtones and Undertones: Reading Film Music: Brown, Royal ~ Overtones and Undertones is an outstanding in-depth exploration of the relationship between music and motion picture."--Fred Karlin, composer "Royal Brown's book on film music, Overtones and Undertones , is a remarkable document: an enormous amount of information assembled and made sense of by a fine intellect.

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LIBROS SOBRE MÚSICA DE CINE (EDICIONES EN ESPAÑOL, INGLÉS ~ Overtones and undertones: Reading film music. Royal S. Brown. Bernard Herrman: Film, music and narrative. Donald Graham Bruce. Información. Sound and vision: 60 years of film music soundtracks. Jon Burlingame. Información. The Art of Film Music. George Burt. Listening to Stanley Kubrick: The music in his films. Christine Gengaro. Información.

Overtones and Undertones: Reading Film Music, (0520085442 ~ Feb 24, 2013 - Overtones and Undertones: Reading Film Music, (0520085442), Royal S. Brown, Textbooks - Barnes & Noble

Film Music: Critical Approaches Author: K. J. Donnelly ~ Film Music: Critical Approaches Author: K. J. Donnelly published on July, 2001: : Libros

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Film Music: A Neglected Art: : Prendergast, Roy M ~ Film Music: A Neglected Art: : Prendergast, Roy M., Pendergast, Roy M.: Libros en idiomas extranjeros

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GUIA DOCENTE DE LA ASIGNATURA HISTORIA DE LA MÚSICA EN EL CINE ~ Página 3 • Valorar el papel determinante de la música en el impacto comercial y la distribución de una producción cinematográfica, con especial atención al fenómeno discográfico de la BSO.

Bibliografía y Metodología Sobre Música en El Cine ~ El texto que considero base para comenzar en el tema es “ Unheard melodies: Narrative film music ” de Claudia Gorbman. Otros textos que hacen referencia al de Gorbman también son importantes como “ La música en el cine ” de Michel Chion y “ Overtones and undertones: Reading film music ” de Royal S. Brown.

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Efectos de sonido y la fachada transformada: la emoción en ~ Music as a source of emotion in film. In P. N. Juslin & J. A. Sloboda (Eds.), Music and emotion: theory and research (pp. 249-272). New York: Oxford University Press.