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A History of Russian Music: From Kamarinskaya to Babi Yar de Francis Maes
Descripción - Críticas 'Maes's work is superbly translated here and proceeds from Mikhail Glinka to Dmitri Shostakovich in 14 chronological chapters, each rich in detail and illuminating in context. An excellent addition to all collections.' - Library Journal, starred review 'Glossing over lesser-known composers and stopping short of the post-Soviet period, the book is worthwhile for seeing how Russia's politics affected her music.' - Booklist 'At last there is a short and comprehensive introduction to Russian music and its history that is up to date in research, sophisticated in viewpoint, elegantly written, and completely free of nonsense. It fills a longstanding gap and fills it most satisfyingly. Francis Maes deserves hearty congratulations and thanks.' - Richard Taruskin, author of Stavinsky and the Russian Traditions: A Biography of the Works Through 'Mavra' Reseña del editor Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, 'A History of Russian Music' summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading 19th century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia and the ideologies behind musical research. Nota de la solapa 'At last there is a short and comprehensive introduction to Russian music and its history that is up to date in research, sophisticated in viewpoint, elegantly written, and completely free of nonsense. It fills a longstanding gap and fills it most satisfyingly. Francis Maes deserves hearty congratulations and thanks.'Richard Taruskin, author ofStravinsky and the Russian Traditions: A Biography of the Works Through 'Mavra' Biografía del autor Francis Maes is Artistic Director of the Flanders Festival and the editor of The Empire Resounds: Music in the Days of Charles V (1999).
Detalles del Libro
- Name: A History of Russian Music: From Kamarinskaya to Babi Yar
- Autor: Francis Maes
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 9 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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A History of Russian Music: From Kamarinskaya to Babi Yar ~ A History of Russian Music: From Kamarinskaya to Babi Yar: : Francis Maes, Arnold J. Pomerans, Erica Pomerans: Libros en idiomas extranjeros
A History of Russian Music: From Kamarinskaya to Babi Yar ~ A History of Russian Music: From Kamarinskaya to Babi Yar by: Francis Maes Feb-2006: : Francis Maes: Libros
A history of russian music: from kamarinskaya to babi yar ~ Autore: Maes Francis, Editore: University Of California Press, Categoria: Musica Cinema Teatro, Anno: 2006, catalogo libri usati.
A History of Russian Music: From Kamarinskaya to Babi Yar ~ A History of Russian Music: From Kamarinskaya to Babi Yar: Maes, Francis, Pomerans, Arnold J., Pomerans, Erica: .mx: Libros
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: A History of Russian Music: From Kamarinskaya ~ Compra A History of Russian Music: From Kamarinskaya to Babi Yar by Francis Mæs (2006-02-20). SPEDIZIONE GRATUITA su ordini idonei
Musical History of Russian Orientalism / Orientalism ~ Musical History of Russian Orientalism - Free download as Word Doc (.doc / .docx), PDF File (.pdf), Text File (.txt) or read online for free. A short history essay written about the music origins of Russian Orientalism in the mid to late 1800's.
Concierto para piano n.º 1 (Chaikovski) - Wikipedia, la ~ Historia. La versión original tuvo su estreno en Boston, Estados Unidos, el 25 de octubre de 1875, dirigido por Benjamin Johnson Lang y Hans von Bülow en el piano.Chaikovski dedicó el primer concierto de piano a este pianista.Chaikovski escribió también un arreglo para dos pianos en diciembre de 1884, revisándolo en diciembre de 1888.. Al compositor Nikolái Rubinstein no le agradó .
Società musicale russa - Wikipedia ~ (EN) Francis Maes, A History of Russian Music: From Kamarinskaya to Babi Yar, traduzione di Arnold J. Pomerans ed Erica Pomerans, Berkeley, Los Angeles e Londra, University of California Press, 2002. Altri progetti
rachmaninov-prokofiev_syllabus.pdf / Musical Compositions ~ rachmaninov-prokofiev_syllabus.pdf - Free download as PDF File (.pdf), Text File (.txt) or read online for free.
Los Cinco (compositores) - Wikipedia, la enciclopedia libre ~ Los Cinco, también conocidos como «El Gran Puñado (en ruso: Могучая кучка, Mogúchaya kuchka), se refiere a un círculo de compositores que se reunieron en San Petersburgo, Rusia, en los años 1856-1870: Mili Balákirev (el líder), César Cuí, Modest Músorgski, Nikolái Rimski-Kórsakov y Aleksandr Borodín.El grupo tenía el objetivo de producir un tipo de música .
Vigilia de toda la noche - Wikipedia, la enciclopedia libre ~ Para la versión musical de Rachmaninoff, ver Las vísperas (Rajmáninov). La Vigilia de toda la noche es un oficio de la Iglesia ortodoxa y de las Iglesias católicas orientales que consiste de la conjunción de las tres horas canónicas de vísperas (rezo de la tarde), maitines (de la madrugada), y hora prima (del amanecer). Tal vigilia ese celebra en la víspera anterior a los domingos y a .
Círculo Beliáyev - Wikipedia, la enciclopedia libre ~ A History of Russian Music: From Kamarinskaya to Babi Yar. Traducción al inglés Pomerans, Arnold J. y Erica. Berkeley, Los Angeles y Londres: University of California Press. ISBN 0-520-21815-9. Norris, Geoffrey (1994). Rachmaninoff. Schirmer Books. ISBN 0028706854. Rimski-Kórsakov, Nikolái (1909).
: Pomerans: Libros ~ Compra online entre un amplio catálogo de productos en la tienda Libros.
Sinfonía n.º 1 (Rimski-Kórsakov) - Wikipedia, la ~ La Sinfonía n. ° 1 en mi menor, op. 1 (originalmente en mi bemol menor) de Nikolái Rimski-Kórsakov fue compuesta entre 1861 y 1865 bajo la dirección de Mili Balákirev.Balákirev también estrenó la obra en un concierto de la Escuela de Música Libre en diciembre de 1865. Rimski-Kórsakov la revisó en 1884.
dissertation.pdf / Opus Number / Classical Music ~ Scribd es el sitio social de lectura y editoriales más grande del mundo.
Las Vísperas (Rajmáninov) - Wikipedia, La Enciclopedia ~ Francis Maes, tr. Arnold J. Pomerans, Erica Pomerans, A History of Russian Music: From Kamarinskaya to Babi Yar, University of California Press, 2002, p. 206 Enlaces externos Las Vísperas en el Proyecto Biblioteca Internacional de Partituras Musicales (en inglés).
Analyse et interprétation des six dernières sonates pour ~ 4 Alexandre Scriabine, cité par Francis Maes, A History of Russian Music, from Kamarinskaya to Babi Yar., traduction de l’allemand Arnold J. et Erika Pomerans, University of California Press, Berkeley, 2006. 5 Boris de Schloezer, op. cit., 42 religieuses.
Modest Músorgski - Wikipedia ~ Modest Músorgski (en rusu: Модест Петрович Мусоргский, romanización: Modest Petróvich Músorgski) (9 de marzu[[(Xulianu)]], Q4214859 - 16 de marzu[[(Xulianu)]], San Petersburgu) foi un compositor rusu, integrante del grupu de Los Cinco.Ente les sos obres destaquen la ópera Borís Godunov y los poemes sinfónicos Una nueche nel Monte Peláu y Cuadros d'una esposición
Poema sinfónico - Wikipedia, a enciclopedia libre ~ Para a obra de Liszt, véxase Poemas sinfónicos (Liszt).. Un poema sinfónico é unha obra de orixe extra musical, de carácter poético literario, cuxa finalidade é mover sentimentos e espertar sensacións, ou describir unha escena mediante a música. Xeralmente consta dun único movemento e está escrito para orquestra, aínda que pode ser para piano ou para pequenas formacións instrumentais.
Petr Ilich Chaikovskii - Wikipedia, a enciclopedia libre ~ Petr Ilich Chaikovskii (en ruso: Пётр Ильич Чайковский, pronunciado [ˈpʲotr ɪlʲˈjit͡ɕ t͡ɕɪjˈkofskʲɪj]; (), nado en Votkinsk o 25 de abril xul. / 7 de maio de 1840 greg. e finado en San Petersburgo o 25 de outubro xul. / 6 de novembro de 1893 greg., foi un dos compositores rusos máis importantes do século xix. É autor dalgunhas das obras de música clásica .
Dmitrii Kabalevskii - Wikipedia, a enciclopedia libre ~ Music and Musical Life in Soviet Russia, enlarged edition 1917-1981. Bloomington: Indiana University Press. ISBN 0-253-33956-1; Maes, Francis. 2002. A History of Russian Music: From Kamarinskaya to Babi Yar. Translated by Arnold J. Pomerans and Erica Pomerans. Berkeley: University of California Press. ISBN 0-520-21815-9