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Reclaiming Female Agency - Feminist Art History After Postmodernism de Norma Broude
Descripción - Críticas 'Extremely stimulating and useful. The authors lay out a strategy for future art historians and theorists.' - Paula Harper, University of Miami' Reseña del editor This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their 'Feminism and Art History: Questioning the Litany' (1982) and 'The Expanding Discourse: Feminism and Art History' (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history.The contributors include: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, and Mary D. Sheriff. Nota de la solapa 'Extremely stimulating and useful. The authors lay out a strategy for future art historians and theorists.'—Paula Harper, University of Miami'I found the individual essays fascinating. . . . Broude and Garrard's introduction . . . helped clarify for me the current state of the affairs in feminist art history; their approach is both inspired and inspiring.'— Sue Taylor, Associate Professor of Art History, Portland State University Contraportada 'Extremely stimulating and useful. The authors lay out a strategy for future art historians and theorists.'--Paula Harper, University of Miami Biografía del autor Norma Broude, Professor of Art History at American University, is author of Impressionism, a Feminist Reading: The Gendering of Art, Science, and Nature in the 19th Century, among other books. Mary D. Garrard is Professor Emerita of Art History at American University and author of Artemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity, among other publications. Broude and Garrard are also the editors of The Power of Feminist Art: The American Movement of the 1970s, Power and Impact.
Detalles del Libro
- Name: Reclaiming Female Agency - Feminist Art History After Postmodernism
- Autor: Norma Broude
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 14 MB
- Tipos de archivo: PDF Document
- Descargada: 456 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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(PDF) Reclaiming female agency: feminist art history after ~ Reclaiming female agency: feminist art history after postmodernism
Reclaiming Female Agency: Feminist Art History after ~ Reclaiming Female Agency: Feminist Art History after Postmodernism Norma Broude , Mary D. Garrard This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective.
Reclaiming Female Agency: Feminist Art History after ~ Reclaiming Female Agency: Feminist Art History after Postmodernism: : Broude, Norma, Garrard, Mary: Libros en idiomas extranjeros
Reclaiming female agency : feminist art history after ~ Get this from a library! Reclaiming female agency : feminist art history after postmodernism. [Norma Broude; Mary D Garrard;] -- 'Reclaiming Feminine Agency' identifies female agency as a central theme of recent feminist scholarship & offers 23 essays on artists & issues from the Renaissance to the present, written in the .
Reclaiming female agency : feminist art history after ~ This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this new volume identifies female agency as a central theme of recent feminist scholarship.
Reclaiming Female Agency: Feminist Art History After ~ This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship.
Reclaiming female agency : feminist art history after ~ Reclaiming female agency : feminist art history after postmodernism edited by Norma Broude and Mary D. Garrard University of California Press, c2005 : pbk
Reclaiming female agency: feminist art history after ~ At heart is a fundamental feminist debate rehearsed in many different disciplines between those who promote individual agency and those, as Joan Scott puts it, who use ‘“difference” as an analytic category to explore the ways in which identities have been produced’ (Scott, 1996: 9).For Broude and Garrard, women's experience is a foundational category and female agency a core concept .
Reclaiming Female Agency Feminist Art History after ~ This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship.
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Reclaiming Female Agency – Feminist Art History After ~ Reclaiming Female Agency – Feminist Art History After Postmodernism è un libro di Broude Norma, Garrard Mary D edito da University Of California Press a aprile 2005 - EAN 9780520242524: puoi acquistarlo sul sito HOEPLI, la grande libreria online.
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