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Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera) de Carolyn Abbate
Descripción - CrÃticas 'Abbate establishes a critical dialogue between music's desire to convey narrative information and its sensual resistance to such signification... Abbate is the most original writer on Wagner to appear since Dahlhaus... Her essay 'Brunnhilde Walks by Night' is a tour de force of imaginative interpretation.'--David Schiff, The New Republic 'This important book concerns not only particular operas but certain general aspects of the way in which we hear music... We will ... want to reflect further on a good many of its arguments ... because what Abbate offers in Unsung Voices is not only ... a set of conclusions but a powerful machine to think with.'--Lawrence Rosenwald, Opera Quarterly Reseña del editor Who 'speaks' to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that 'sings' is thus reanimated in a new context, and Abbate proposes interpretive strategies that 'de-center' music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. BiografÃa del autor Carolyn Abbate is Professor of Music at Princeton University. She is the editor of Analyzing Opera and the author of Richard Wagner: Tristan.
Detalles del Libro
- Name: Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera)
- Autor: Carolyn Abbate
- Categoria: Libros,Arte, cine y fotografÃa,Música
- Tamaño del archivo: 17 MB
- Tipos de archivo: PDF Document
- Descargada: 637 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Música y semántica corporeizada / Epistemus. Revista de ~ Abbate, C. (1991). Unsung voices: Opera and musical narrative in the nineteenth century. Princeton University Press. Adlington, R. (2003). Moving beyond motion: Metaphors for changing sound. Journal of the Royal Musical Association, 128(2), 297–318. Barsalou, L. W. (1987). The instability of graded structure: Implications for the nature of .
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