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Counterpoint: A Species Approach Based on Schenker's Counterpoint: A Species Approach Based on Schenker's Counterpoint de Henry Martin

Descripción - Reseña del editor Counterpoint helps music theory and music composition students improve their musicianship by examining the voice leading that underlies Western tonal music. It proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Heinrich Schenker's more in-depth study. For the sake of brevity, musical examples are available on the Scarecrow Press website, rather than within the book itself. Biografía del autor Henry Martin, Professor of Music at Rutgers University in Newark, has pursued a dual career as a composer-pianist and as a music theorist specializing in jazz and the Western tonal tradition.

Detalles del Libro

  • Name: Counterpoint: A Species Approach Based on Schenker's Counterpoint: A Species Approach Based on Schenker's Counterpoint
  • Autor: Henry Martin
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 10 MB
  • Tipos de archivo: PDF Document
  • Descargada: 253 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


Descargar Gratis Counterpoint: A Species Approach Based on Schenker's Counterpoint: A Species Approach Based on Schenker's Counterpoint de Henry Martin PDF [ePub Mobi] Gratis

Counterpoint: A Species Approach Based on Schenker's ~ Counterpoint is a textbook for use as a stand-alone text in a course on species counterpoint or as a supplementary text for standard college-level courses in music theory. It is based on Heinrich Schenker's (1868-1935) two-volume study of counterpoint. It is intended to help all students of theory or composition to improve their musicianship by examining the voice-leading that underlies .

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Counterpoint Translation Kontrapunkt Book 2 ~ ISBN 0 9678099 0 8 set ISBN 0 9678099 1 6 Species Counterpoint Exercises from Fux’s Gradus ad Parnassum 2 2 Second Species Second species counterpoint consists of two half notes set against each whole note in the cantus rmus 1 The rst half note in each bar must be

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Bachs-Works-for-Solo-Violin-Style-Structure-Performance ~ I hear similar approaches to large-scale structure, motivic work, texture and textural growth, harmony and counterpoint, and so forth in his fugues and his concertos, his binary forms and his chorale preludes, his sonatas and his suites, and his solo-violin works and his keyboard, orchestral, or vocal music.

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