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Group Harmony: The Black Urban Roots of Rhythm & Blues de Stuart L. Goosman

Descripción - Críticas 'With haunting voices and compelling arguments, Group Harmony brings us to a deeper awareness of the traditions, convictions, and energies, as well as the talent, that brought forth the R&B group sound. As oral history and social portrait, this is the story we need to hear about a music we'll never forget.'-Charles McGovern, College of William and Mary and the Smithsonian Institution 'Goosman challenges major myths, conventional wisdom, and historical inaccuracies concerning black popular music between 1940 and 1960. . . . A groundbreaking study.'-Popular Music and Society 'A must read for serious students of black music history.'-Journal of African American History 'An important and valuable contribution to the literature of twentieth-century popular music.'-American Historical Review Reseña del editor Group Harmony The Black Urban Roots of Rhythm and Blues Stuart L. Goosman In 1948, the Orioles, a Baltimore-based vocal group, recorded 'It's Too Soon to Know.' Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period. A few, like the Orioles, Cardinals, and Swallows from Baltimore and the Clovers from Washington, D.C., established the popularity of vocal rhythm & blues nationally. Dozens of other well-known groups (and hundreds of unknown ones) across the country cut records and performed until about 1960. Record companies initially marketed this music as rhythm & blues; today, group harmony continues to resonate for some as 'doo-wop.' Focusing in particular on Baltimore and Washington and drawing significantly from oral histories, Group Harmony details the emergence of vocal rhythm & blues groups from black urban neighborhoods. Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives. Through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period. Group harmony also became a significant resource for the popular music industry. Goosman interviews dozens of performers, deejays, and industry professionals to examine the entrepreneurial promise of midcentury popular music and chronicle the convergence of music, place, and business, including the business of records, radio, promotion, and song writing. Featured in the book's account of the black urban roots of rhythm & blues are the recollections of singers from groups such as the Cardinals, Clovers, Dunbar Four, Four Bars of Rhythm, Five Blue Notes, Hi Fis, Plants, Swallows, and many others, including Jimmy McPhail, a well-known Washington vocalist; Deborah Chessler, the manager and songwriter for the original Orioles; Jesse Stone, the writer and arranger from Atlantic Records; Washington radio personality Jackson Lowe; and seminal black deejays Al ('Big Boy') Jefferson, Maurice ('Hot Rod') Hulbert, and Tex Gathings. Stuart L. Goosman is a writer and musician. He earned his Ph.D. degree in ethnomusicology in 1992 and was a full-time academic for ten years. 2005 | 304 pages | 6 1/8 x 9 1/4 | 15 illus. ISBN 978-0-8122-2108-4 | Paper | $24.95s | £16.50 ISBN 978-0-8122-0204-5 | Ebook | $24.95s | £16.50 World Rights | American History, African-American/African Studies, Music Short copy: Drawing on dozens of interviews with performers, deejays, and industry professionals, Group Harmony details the emergence of vocal rhythm & blues out of black urban neighborhoods in the postwar period. Biografía del autor Stuart L. Goosman is a writer and musician. He earned his Ph.D. degree in ethnomusicology in 1992 and was a full-time academic for ten years.

Detalles del Libro

  • Name: Group Harmony: The Black Urban Roots of Rhythm & Blues
  • Autor: Stuart L. Goosman
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 8 MB
  • Tipos de archivo: PDF Document
  • Descargada: 637 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


[Download] Group Harmony: The Black Urban Roots of Rhythm & Blues de Stuart L. Goosman Libros Gratis en EPUB

Group Harmony: The Black Urban Roots of Rhythm and Blues ~ Focusing in particular on Baltimore and Washington and drawing significantly from oral histories, Group Harmony details the emergence of vocal rhythm & blues groups from black urban neighborhoods. Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives.

Group Harmony: The Black Urban Roots of Rhythm and Blues ~ Group Harmony: The Black Urban Roots of Rhythm and Blues (English Edition) eBook: Goosman, Stuart L.: : Tienda Kindle

Group Harmony; The Black Urban Roots of Rhythm and Blues ~ The audiobook edition of Group Harmony; The Black Urban Roots of Rhythm and Blues by Stuart L. Goosman, narrated by Armand Hutton, is produced by University Press Audiobooks.In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know" Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts .

Group Harmony: The Black Urban Roots of Rhythm & Blues ~ Group Harmony: The Black Urban Roots of Rhythm & Blues Goosman, Stuart L. (2005) University of Pennsylvania Press , Philadelphia hardback , 291 pages , 24.0 x 16.5 x 2.5 cm , 0.653 kg ISBN10: 0-8122-3886-9 / ISBN13: 978-0-8122-3886-0

GROUP HARMONY THE BLACK URBAN ROOTS OF RHYTHM BLUES PDF ~ right now group harmony the black urban roots of rhythm blues PDF is available on our online library. With our online resources, you can find group harmony the black urban roots of rhythm blues or just about any type of ebooks, for any type of product.

Group harmony : the black urban roots of rhythm & blues ~ Group harmony : the black urban roots of rhythm & blues Stuart L. Goosman. Philadelphia : University of Pennsylvania Press, ©2005. xi, 291 pages : illustrations; 24 cm. Explore more . Rhythm and blues music — Washington (D.C.) — History and criticism. African Americans .

Group Harmony: The Black Urban Roots of Rhythm and Blues ~ Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives. Through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period.

Stuart L. Goosman. Group Harmony: The Black Urban Roots of ~ The urban roots and ties of this talent created what Goosman brands “an overall music consciousness that embraces both celebration and resistance” (p. 22). Particularly insightful is the author's explanation of the various alliances that undergirded the evolution of a music industry in urban black communities.

Group Harmony / Stuart L. Goosman ~ Group Harmony The Black Urban Roots of Rhythm and Blues Stuart L. Goosman. 304 pages / 6 1/8 x 9 1/4 / 15 illus. Paper 2010 / ISBN 9780812221084 / $26.50s / Outside the Americas £19.99 Ebook editions are available from selected online vendors "A must read for serious students of black music history."—Journal of African American History

Group harmony : the Black urban roots of rhythm & blues ~ Similar Items. Group harmony : the Black urban roots of rhythm & blues / by: Goosman, Stuart L., 1953- Published: (2005) Group harmony the black urban roots of rhythm & blues / by: Goosman, Stuart L. Published: (2005) Songs in the key of black life : a rhythm and blues nation / by: Neal, Mark Anthony.

Find eBook ~ Group Harmony: The Black Urban Roots of ~ OP4FTWH5CSBC » Doc » Group Harmony: The Black Urban Roots of Rhythm and Blues (Paperback) Get eBook GROUP HARMONY: THE BLACK URBAN ROOTS OF RHYTHM AND BLUES (PAPERBACK) University of Pennsylvania Press, United States, 2010. Paperback. Book Condition: New. 226 x 145 mm. Language: English . Brand New Book.

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Group Harmony / RedShelf ~ Group Harmony. The Black Urban Roots of Rhythm and Blues. Stuart L. Goosman. eISBN-13: 9780812202045. eBook Features. Read Anywhere. Read your book anywhere, on any device, through RedShelf's cloud based eReader. Digital Notes and Study Tools .

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Crossing, Creolization, and the African Roots of American ~ Group Harmony: The Black Urban Roots of Rhythm and Blues. Stuart L. Goosman. Philadelphia: University of Pennsylvania Press, 2005. 291 pp. Right to Rock: The Black Rock Coalition and the Cultural Politics of Race. Maureen Mahon. Durham, NC: Duke University Press, 2004. 317 pp. Crossovers: Essays on Race, Music, and American Culture. John Szwed.

Doo-wop - Wikipedia ~ Doo-wop is a genre of rhythm and blues music that originated among African-American youth in the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Chicago, Baltimore, Newark, Detroit, and Washington, DC. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation.

Record Citations ~ Group harmony: The Black urban roots of rhythm & blues. Philadelphia: University of Pennsylvania Press. Chicago Style Citation. Goosman, Stuart L. Group Harmony: The Black Urban Roots of Rhythm & Blues. Philadelphia: University of Pennsylvania Press, 2005. MLA Citation. Goosman, Stuart L. Group Harmony: The Black Urban Roots of Rhythm & Blues.

Doo wop – Wikipedia ~ Group Harmony: Echoes of the Rhythm and Blues Era. New Bedford, Massachusetts: TRB Enterprises. ISBN 0-9706852-0-3. Cummings, Tony (1975). The Sound of Philadelphia. London: Eyre Methuen. Engel, Ed (1977). White and Still All Right. Scarsdale, New York: Crackerjack Press. Goosman, Stuart L (2005). Group Harmony: The Black Urban Roots of Rhythm .

Discover Rhythm And Blues Books / Free 30-day Trial / Scribd ~ Discover the best Rhythm And Blues books and audiobooks. Learn from Rhythm And Blues experts like Stuart L. Goosman and Mitch Winehouse. Read Rhythm And Blues books like Group Harmony and Amy, My Daughter for free with a free 30-day trial

Doo-wop - Wikipedia ~ Group Harmony: Echoes of the Rhythm and Blues Era. New Bedford, MA: TRB Enterprises. ISBN 0-9706852-0-3. Cummings, Tony (1975). The Sound of Philadelphia. London: Eyre Methuen. Engel, Ed (1977). White and Still All Right. Scarsdale, NY: Crackerjack Press. Goosman, Stuart L (2005). Group Harmony: The Black Urban Roots of Rhythm and Blues.

Jimmy McPhail – Wikipedia ~ Leben und Wirken. Jimmy McPhail wuchs in Washington D.C. auf und trat dort Ende der 1940er-Jahre mit einem eigenen Quartett auf. 1950 gewann er den Nachwuchswettbewerb WWDC Jackson Lowe Contest, verbunden mit einem Auftritt im Howard Theatre mit dem Duke Ellington Orchestra. Er spielte anschließend, begleitet von Billy Strayhorn, Duke Ellington und Wendell Marshall mehrere Gesangsnummern ein .

Discover Harmony Books / Free 30-day Trial / Scribd ~ Discover the best Harmony books and audiobooks. Learn from Harmony experts like Olegario Diaz and C. H. Kitson. Read Harmony books like 220 Chromatic Exercises + 1165 Jazz Lines Phrases for the Modern Improviser and Elementary Harmony for free with a free 30-day trial

Remembering the doo-wop sounds that rang from every urban ~ To take a deeper dive, Stuart Goosman’s Group Harmony: The Black Urban Roots of Rhythm and Blues is a fascinating exploration of the roots of doo-wop: In 1948, the Orioles, a Baltimore-based .