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Out of the Inkwell: Max Fleischer and the Animation Revolution de Richard Fleischer
Descripción - Críticas ''Richard Fleischer, a film director who never became a household name despite working with some of Hollywood's biggest stars... [his son] Max Fleischer, and Max's siblings were pioneers in the early days of animation, gaining fame with their Betty Boop and Popeye the Sailor shorts in the 1930s.' -- The New York Times' -- ''A wonderful read and a tribute by a son to a famous father.' -- Umbrella' -- ''A primary piece of history that tells the story of an unexplored but vital figure in animation's short history.' -- Palm Beach Post' -- ''A precious record of an important animation pioneer.' -- Animation' -- ''Besides creating the jazz-age siren Betty Boop and bring Popeye and Superman to the screen, Max invented the rotoscope, a process for creating animated cartoons by tracing live-action footage.... [A] lively memoir.' -- Booklist' -- ''There is probably no one more important to the birth and early development of animation than Max Fleischer and no one better than his son, director Richard Fleischer, to tell the amazing story of the creative genius behind Fleischer Studios.' --Army Archard' -- ''Richard Fleischer, director of 20,000 Leagues Under the Sea, charts the life of his dad, who animated Popeye and Superman, as well as Ms. Boop, and seemed destined to trump Walt Disney in the annals of animation history.' -- Vanity Fair' -- ''Richard Fleischer has brought a loving tribute to his dad, and a reminder, in times where computer animation seems so effortless, of just how much hard work it took for the pioneers in the field to make the drawings dance.' -- Times of Acadiana' -- ''Max Fleischer is animation's unsung hero. If Walt Disney is the most celebrated and chronicled producer in the history of the medium, Fleischer is his polar opposite. Fleischer has long been a hero to anyone who loves animated cartoons. Now, thanks to his son, we can get to know the very human figure behind all those wonderful films.' --Leonard Maltin, from the foreword' -- ''Max Fleischer, the main Hollywood rival of Walt Disney, finally gets his due.' -- Dallas Morning News' -- ''Fleischer captures the life and career and other talented family members this succinct, anecdote-filled biography. This book deserves a wide readership. Highly recommended.' -- Choice' -- ''A short, informal and highly--do we dare?--animated history' -- Barnstable Patriot' -- ''A vivid portrait of the life and world of a man who shaped television animation and became a major player in the development of Hollywood entertainment.' -- Animation Magazine' -- Reseña del editor Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. While deeply engaged with his characters, Fleischer also sought ways to improve his art through technical innovation. Among the many patented inventions Fleischer created was his Rotoscope, a device that helped track live action on-screen and revolutionized the way animated characters appeared and moved. In the 1920s, Fleischer and his brother Dave teamed up to create a series of 'Out of the Inkwell' films, which led to a deal with Paramount. Films featuring their character Ko-Ko the Clown introduced new special effects such as startling combinations of live action and animation. In one piece, Ko-Ko emerges from an inkblot and appears on-screen with footage of Fleischer himself. As the sound revolution hit film, the studio produced shorts featuring the characters interacting with songs. The Fleischers involved jazz artists such as Cab Calloway and Louis Armstrong, and the sound cartoons were a howling success. In the next decade, Fleischer Studios produced the features Gulliver's Travels and Mr. Bug Goes to Town and soon went to work on an animated Superman series, which won widespread critical and popular acclaim. In spite of its great popularity and success, however, the studio was abruptly closed. The animated cartoon industry was shocked, and the event went unexplained for many years. Now, Max's son Richard has at last solved the mystery of the shuttering of Fleischer Studios. Max Fleischer's story is one of a creative genius struggling to fit in with the changing culture of golden age cinema. Out of the Inkwell captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic. Biografía del autor Richard Fleischer, the son of Max Fleischer, has directed major motion pictures such as 20,000 Leagues Under the Sea, Soylent Green, Doctor DoLittle, and Tora! Tora! Tora! and won the Academy Award for producing the documentary feature Design for Death. He published a memoir, Just Tell Me When to Cry, in 1993.
Detalles del Libro
- Name: Out of the Inkwell: Max Fleischer and the Animation Revolution
- Autor: Richard Fleischer
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 13 MB
- Tipos de archivo: PDF Document
- Descargada: 253 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Out of the Inkwell: Max Fleischer and the Animation ~ Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope -- a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen.
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Out of the Inkwell: Max Fleischer and the Animation ~ Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation. Also interested in technical innovation, Fleischer invented the rotoscope - a device that helped track live action and allowed his cartoons to revolutionize the way animated characters appeared and moved on-screen.
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