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Choreographic Politics: State Folk Companies, Representation and Power de Anthony Shay

Descripción - Críticas 'This study of the politics of representation and authentication among state-sponsored or state-assisted 'folk ensembles' shows that dance is a culturally significant social phenomenaValuable for anyone teaching a course on dance ethnology, the anthropology of art or aesthetics.'--James LaVita, Professor, University of Denver Reseña del editor Over the past fifty years national dance companies from Turkey, Egypt, Mexico, Greece, the former USSR and Croatia have dominated concert stages throughout the world. Anthony Shay makes coherent sense of these national programs, which have previously received scant academic attention. Specifically, he looks at the ways through which these companies spread political, ethnic and cultural messages by accruing symbolic and cultural capital for their respective nation-states. In his analysis, Shay draws on cultural studies, political science and anthropology to create a work that cuts across disciplines. As the first book to address the topic of state-sponsored folk dance ensembles and their structures, Choreographic Politics examines the repertoires, performances and choreographic strategies of these companies within the political, social, gendered and ethnic contexts in which each company was created. In addition, Shay's study includes a look at music, costumes, and various artistic directors and choreographers.

Detalles del Libro

  • Name: Choreographic Politics: State Folk Companies, Representation and Power
  • Autor: Anthony Shay
  • Categoria: Libros,Arte, cine y fotografía,Artes escénicas
  • Tamaño del archivo: 16 MB
  • Tipos de archivo: PDF Document
  • Descargada: 253 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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Choreographic Politics: State Folk Dance Companies ~ Choreographic Politics: State Folk Dance Companies, Representation and Power, by Anthony Shay. Middletown, Connecticut: Wesleyan University Press, 2002. 249 pages, bibliography. US$19.95 (paper) ISBN 0-8195-6521-0 - Volume 37 Issue 2 - Martin Stokes

Choreographic Politics: State Folk Dance Companies ~ Choreographic Politics: State Folk Dance Companies, Representation, and Power [Shay, Anthony] on . *FREE* shipping on qualifying offers. Choreographic Politics: State Folk Dance Companies, Representation, and Power

Choreographic politics : state folk dance companies ~ Get this from a library! Choreographic politics : state folk dance companies, representation, and power. [Anthony Shay]

"Review Of "Choreographic Politics: State Folk Dance ~ For this welcome addition to the literature on folk dance ensembles Shay (also author of Choreophobia: Solo Improvised Dance in the Iranian World, 1999) draws on his 40-plus-year association as choreographer, performer, and researcher working with such groups. Using studies of six state folk dance ensembles, the author analyzes how performances reveal issues of representation.

Jussara Sobreira Setenta - SciELO Books ~ SciELO Books / SciELO Livros / SciELO Libros SETENTA, JS. Entrevistas. In: O fazer-dizer do corpo: dança e performatividade . Choreographic Politics . State folk dance companies, representation and Power.Wesleyan University Press. Middletown, Connecticut, 2002.

"Review Of "Choreographing Identities: Folk Dance ~ With this book Shay extends his two previous works on folk dance, Choreophobia: Solo Improvised Dance in the Iranian World (1999) and Choreographic Politics: State Folk Dance Companies, Representation, and Power (CH, Jan'03, 40-2710). Drawing on some 40 years of experience as performer, choreographer, and producer of folk ensembles in the US, the author reviews key North American folk-dance .

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Coloquio por el centenario de Amalia Hernández ~ Por su parte, José Luis Martínez, hijo de la coreógrafa, hizo referencia al libro Choreographic Politics: State Folk Dance Companies, Representation, and Power de Anthony Shay, estudio donde se reconoce al ballet como una de las dos más significativas y venerables compañías nacionales de danza folklórica en el mundo y a ella, como una de las más influyentes coreógrafas del siglo XX.

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