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Wake the Town and Tell the People: Dancehall Culture in Jamaica de Norman C. Stolzoff
Descripción - Críticas 'An extremely important piece of scholarship and an enormous contribution to studies of popular culture, both in Jamaica and beyond. . . . The first sustained analysis of dancehall culture that I know of, and the first analysis of any kind that is so holistic in its coverage. . . . Impressive. . . . Should generate considerable debate in the field of cultural studies.' -- Belinda Edmondson * interventions * 'Norman Stolzoff seems to be the ideal chronicler. . . . Calling Wake the Town one of the best books written about Jamaican music is of course faint praise. . . . Armchair travelers will be rewarded with a visit to a place armchair travelers almost never go. Not the least of this book's virtues is its title, which is taken from a tune by U Roy. In like fashion my summary paraphrases King Stitt: 'No matter what the people say-this book leads the way.' ' -- Michael Turner * Beat * 'Delivering an illuminating profile of an undeniably infectious form, Stolzoff weaves his strands of interdisciplinary research into a focused depiction of social struggle and ghetto stardom. . . . Wake the Town takes its rightful place at the top of a growing list of hands-on reggae analyses.' -- Jeff Gibson * Bookforum * 'We are indebted to [Stolzoff] for his time and effort in putting together what must be, essentially, the most academic work on dancehall culture so far. . . . A very interesting and attractive book, it ought to be a watershed for how the music is studied in the future: As being much more than just music and dance and dubplates and deejays, but an intrinsic cultural force which has obviously influenced our society much more than many of us want to admit.' -- Balford Henry * Jamaica Gleaner * 'The first comprehensive study of a largely misunderstood and underestimated phenomenon.' * Publishers Weekly * 'An engaging anthropological study of dancehall.' -- Aaron Cohen * DownBeat * 'An admirable attempt to change the terms of the debate engaged in by the foreign journalists and tastemakers who have dominated the discourse on Jamaican music. . . . Stolzoff's historical analysis of dancehall culture, particularly how it grew out of the gang rivalry sponsored by Jamaica's two main political parties, effectively maps the socio-political onto the music. . . His fieldwork and reportage of numerous yard dances is a crucial contribution to the literature.' -- Peter Shapiro * The Wire * 'This is the first sustained study of Jamaican dancehall music and culture in all of its aspects. Everyone interested in the island music, and in popular music in general, will find something useful in this book.'-Andrew Ross, author of The Celebration Chronicles 'Stolzoff's comprehensive analysis will unquestionably be an important contribution to the growing field of Latin American/Caribbean popular music studies. But beyond its importance as the 'first' study of dancehall, this book is outstanding because of its theoretical sophistication, its comprehensive scope, and its firm grounding in extensive fieldwork among dancehall participants.'-Deborah Pacini-Hernandez, author of Bachata: A Social History of Dominican Popular Music 'Norman Stolzoff has gone where many fear to tread - to the very heart of the dancehall milieu in the depths of the Kingston ghetto, emerging with the first full, objective look at this fertile birthing ground of Jamaican music. Wake the Town introduces us to many of the prime figures in DJ culture-producers, promoters, selectors and artists-and traces their history back hundreds of years. It is a remarkable work.'-Roger Steffens, co-author of Bob Marley: Spirit Dancer and Old Fire Sticks: The Autobiography of Bunny Wailer 'Dancehall is not just about music, it is about a way of life. Norman Stolzoff clearly understands this. I would tell anyone who wants to get a picture of reggae and the Jamaican people to take a read of Wake the Town and Tell the People-it's worth it. 'Blessed.' '-Beenie Man, reigning king of the dancehall and two-time reggae Grammy nominee for Many Moods of Moses and The Doctor Reseña del editor Jamaican dancehall has long been one of the most vital and influential cultural and artistic forces within contemporary global music. Wake the Town and Tell the People presents, for the first time, a lively, nuanced, and comprehensive view of this musical and cultural phenomenon: its growth and historical role within Jamaican society, its economy of star making, its technology of production, its performative practices, and its capacity to channel political beliefs through popular culture in ways that are urgent, tangible, and lasting. Norman C. Stolzoff brings a fan's enthusiasm to his broad perspective on dancehall, providing extensive interviews, original photographs, and anthropological analysis from eighteen months of fieldwork in Kingston. Stolzoff argues that this enormously popular musical genre expresses deep conflicts within Jamaican society, not only along lines of class, race, gender, sexuality, and religion but also between different factions struggling to gain control of the island nation's political culture. Dancehall culture thus remains a key arena where the future of this volatile nation is shaped. As his argument unfolds, Stolzoff traces the history of Jamaican music from its roots in the late eighteenth century to 1945, from the addition of sound systems and technology during the mid-forties to early sixties, and finally through the post-independence years from the early sixties to the present. Wake the Town and Tell the People offers a general introduction for those interested in dancehall music and culture. For the fan or musicologist, it will serve as a comprehensive reference book. Contraportada 'Stolzoff's comprehensive analysis will unquestionably be an important contribution to the growing field of Latin American/Caribbean popular music studies. But beyond its importance as the 'first' study of dancehall, this book is outstanding because of its theoretical sophistication, its comprehensive scope, and its firm grounding in extensive fieldwork among dancehall participants.'--Deborah Pacini-Hernandez, author of 'Bachata: A Social History of Dominican Popular Music' Biografía del autor Norman C. Stolzoff, Ph.D. is president of Ethnographic Insight, Inc., a consumer anthropology and marketing research firm in Bellingham, Washington.
Detalles del Libro
- Name: Wake the Town and Tell the People: Dancehall Culture in Jamaica
- Autor: Norman C. Stolzoff
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 8 MB
- Tipos de archivo: PDF Document
- Descargada: 125 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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