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National Rhythms, African Roots: The Deep History of Latin American Popular Dance (Dialogos) de John Charles Chasteen

Descripción - Críticas 'Chasteen makes a valuable contribution to the dearth of literature on dance and helps elevate the status of dance studies in academia by prioritizing its social and cultural significance.' 'Throughout 'National Rhythms, African Roots' Chasten not only offers historical description, he paints vivid pictures of what the bar, social hall or undergound room looked like. . . an engaging history book.' 'The author's lucid prose and the inherent attractions of the subject make this book ideal for use in undergraduate courses. The solid research and careful interpretation will engage a more advanced scholarly audience as well. 'Chasteen has found the genome of today's salsa, tango, samba, and rumba, and his Nobel for world dance research is sure to follow.' Reseña del editor When John Charles Chasteen learned that Simon Bolivar, the Liberator, danced on a banquet table to celebrate Latin American independence in 1824, he tried to visualise the scene. How, he wondered, did the Liberator dance? Did he bounce stiffly in his dress uniform? Or did he move his hips? In other words, how high had African dance influences reached in Latin American societies? A vast social gap separated Bolivar from people of African descent; however, Chasteen's research shows that popular culture could bridge the gap. Fast-paced and often funny, this book explores the history of Latin American popular dance before the twentieth century. Chasteen first focuses on Havana, Buenos Aires, and Rio de Janeiro, where dances featuring a 'transgressive close embrace' (forerunners of today's salsa, tango, and samba) emerged by 1900. Then, digging deeper in time, Chasteen uncovers the historical experiences that moulded Latin American popular dance, including carnival celebrations, the social lives of slaves, European fashions, and, oddly enough, religious processions. The relationship between Latin American dance and nationalism, it turns out, is very deep, indeed. Nota de la solapa John Chasteen examines the history behind sexually suggestive dances (salsa, samba, and tango) that brought people of different social classes and races together in Latin America. Biografía del autor John Charles Chasteen is professor of history at the University of North Carolina, Chapel Hill.

Detalles del Libro

  • Name: National Rhythms, African Roots: The Deep History of Latin American Popular Dance (Dialogos)
  • Autor: John Charles Chasteen
  • Categoria: Libros,Arte, cine y fotografía,Artes escénicas
  • Tamaño del archivo: 10 MB
  • Tipos de archivo: PDF Document
  • Descargada: 714 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


[Download] National Rhythms, African Roots: The Deep History of Latin American Popular Dance (Dialogos) de John Charles Chasteen Libros Gratis en EPUB

Reviews : 191 ~ The Deep His tory of Latin American Popular Dance. Albuquerque: University of New Mexico Press, 2004.257 pp. National Rhythms, African Roots is intended for an undergraduate or educated lay readership. Chasteen's writing style is accessible and the author conveys considerable enthusiasm for his subject matter. The book begins with a chapter .

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Mhal Programa Adamovsky / America latina / Carnaval ~ National Rhythms, African Roots: The Deep History of Latin American Popular Dance. Alburquerque, University of New Mexico Press, 2004. -Garramuño, Florencia, Modernidades primitivas: tango, samba y nación.

Luisa Campuzano. Las muchachas de La Habana no tienen ~ The Deep His tory of Latin American Popular Dance. Albuquerque: University of New Mexico Press, 2004.257 pp. National Rhythms, African Roots is intended for an undergraduate or educated lay readership. Chasteen's writing style is accessible and the author conveys considerable enthusiasm for his subject matter. The book begins with a chapter .

A tres bandas_22_Música y nacionalismosen latinoamerica ~ Chasteen, John Charles (2004), National Rhythms, African Roots. The Deep History of Latin American Popular Dance, Albuquerque, NM, University of New Mexico Press. Domnguez Benjam, Yarelis (2000), Caminos de la musicologa cubana, La Habana, Editorial Letras Cubanas.

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