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Tactus, Mensuration and Rhythm in Renaissance Music de Ruth I DeFord
Descripción - Críticas 'DeFord's study provides a thorough overview of the aspect of Renaissance music that is the most difficult for our modern ears and minds to understand: rhythm. While the introductory chapters would serve as an excellent introduction to Renaissance rhythm for upper-level undergraduates or graduate students, the general organization of DeFord's volume will make it useful for a variety of populations and purposes. The wealth of music examples included, many of which are transcribed by DeFord herself, is yet another strength of the book. Tactus, Mensuration, and Rhythm in Renaissance Music is an important contribution to Renaissance scholarship. Kimberly Hieb, Notes Reseña del editor Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period. Descripción del libro Ruth I. DeFord offers new interpretations of the writings of Renaissance music theorists on the notation and performance of rhythm. Illustrated with more than 200 music examples, this book provides new analytical insights and performance recommendations for some of the best-known musical repertories of the period. Biografía del autor Ruth I. DeFord is Professor Emerita of Hunter College and the Graduate Center, City University of New York. Her principal areas of research are the Italian madrigal and canzonetta and music theory of the Renaissance. She has edited the canzoni of Giovanni Ferretti and the canzonettas of Orazio Vecchi for A-R Editions. Her articles have appeared in numerous scholarly journals.
Detalles del Libro
- Name: Tactus, Mensuration and Rhythm in Renaissance Music
- Autor: Ruth I DeFord
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 16 MB
- Tipos de archivo: PDF Document
- Descargada: 637 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Tactus, Mensuration and Rhythm in Renaissance Music ~ Tactus, Mensuration and Rhythm in Renaissance Music: : Ruth I. DeFord: Libros en idiomas extranjeros
Tactus, Mensuration and Rhythm in Renaissance Music ~ Tactus, Mensuration and Rhythm in Renaissance Music (English Edition) eBook: Ruth I. DeFord: : Tienda Kindle
Tactus, Mensuration and Rhythm in Renaissance Music. By ~ Of these, the theoretical tactus will depend on the mensuration sign (if any), while the compositional tactus will be judged subjectively by contrapuntal rhythm and dissonance treatment. Some of these will puzzle experienced scholars who may struggle to ground such distinctions in the theory as set out, let alone a neophyte reader who has only just mastered the previous chapter.
Tactus, Mensuration and Rhythm in Renaissance Music : Ruth ~ Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists.
Tactus, Mensuration and Rhythm in Renaissance Music ~ Ruth DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each .
Tactus, Mensuration and Rhythm in Renaissance Music ~ Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists.
Todos los libros del autor Deford Ruth I ~ ¿Quieres información sobre los libros de Deford Ruth I? . Tactus, Mensuration and Rhythm in Renaissance Music DeFord, Ruth I. Cambridge . Tactus, Mensuration and Rhythm in Renaissance Music DeFord, Ruth I. Cambridge University Press / 978-1-107-06472-0 . 155.49€ (149.51€ sin IVA) .
Tactus, Mensuration And Rhythm In Renaissance Music ~ Compre o livro «Tactus, Mensuration And Rhythm In Renaissance Music» de Ruth I. Deford em wook.pt. 10% de desconto em CARTÃO, portes grátis.
Rhythm in the Renaissance era / Helsinki Philharmonic ~ In Renaissance music, rhythm is closely tied to polyphony, which means many voices sounding at once. When several melodies are superimposed, the various voices sometimes each have their own rhythm. Therefore it is not always possible to detect a clear rhythm in this music, something to which you could count three or four beats in a bar.
Tactus, Mensuration and Rhythm in Renaissance Music ~ Tactus, Mensuration and Rhythm in Renaissance Music (English Edition) eBook: DeFord, Ruth I.: .nl: Kindle Store
Tactus, Mensuration and Rhythm in Renaissance Music ~ Tactus, Mensuration and Rhythm in Renaissance Music (English Edition) eBook: DeFord, Ruth I.: : Kindle Store
Tactus, Mensuration and Rhythm in Renaissance Music ~ Tactus, Mensuration and Rhythm in Renaissance Music: : Ruth I. DeFord: Libri in altre lingue
Tactus, Mensuration and Rhythm in Renaissance Music ~ Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600.
Tactus, Mensuration and Rhythm in Renaissance Music - Ruth ~ Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists.
Tactus, Mensuration and Rhythm in Renaissance Music ~ Jun 17, 2015 - Tactus, Mensuration and Rhythm in Renaissance Music
Tactus and tempo / Early Music / Oxford Academic ~ Then follow chapters on ‘ Tactus and rhythm’, ‘ Tactus and signs in 15th-century music theory’, ‘ Tactus and signs in 16th-century music theory’ and, finally, ‘ Tactus and tempo’. All are meticulously argued with ample quotes from the theorists and a fair number of musical examples.
GUIA DOCENTE DE LA ASIGNATURA 299112A- TEORÍA Y PRÁCTICA ~ Western Music. Oxford y Nueva York: Oxford University Press, 2004. x DeFord, Ruth I. Tactus, Mensuration and Rhythm in Renaissance Music. Cambridge: Cambridge University Press, 2015. x Everist, Mark y Thomas Forrest Kelly. The Cambridge History of Medieval Music. Cambridge: Cambridge University Press, 2018. x Kelly, Thomas Forrest.
Libros del autor Deford, Ruth I. · El Argonauta. La ~ libros de Deford, Ruth I. C/ Fernández de los Ríos, 50. 28015 Madrid (España) es. spanish
Tactus, Mensuration and Rhythm in Renaissance Music - Ruth ~ Tactus, Mensuration and Rhythm in Renaissance Music; Tactus, Mensuration and Rhythm in Renaissance Music Ruth I. (Hunter College, City University of New York) DeFord. Hardcover € 115,95 + 231 punten . Op bestelling, levertermijn 1 à 4 weken. Eenvoudig bestellen. Veilig betalen.
University of Denver Digital Commons @ DU ~ tactus. and . prolatio) have either emerged or disappeared from the vocabulary of the professional musician according to the mindset of each period. Consequently, the understanding of metric organization in Renaissance music by modern musicians is compromised, and so are modern editions of said repertoire, which are based in modern music notation.