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Playground: James Mollison de James Mollison
Descripción - Críticas The scenes are breathtakingly beautiful and an intriguing snapshot of life in countries as varied as India, Bhutan, Bolivia, Israel, Norway, Italy, Japan and the UK.--The Editors 'Tory Daily ' While Mollison's photographs provide a look at how different schools in the U.K., for instance, look compared to those in Kenya, they're not merely architectural studies. The photographs are teaming with children, and looking at them, you can watch scenes unfold and relationships develop.--Jordan G. Teicher 'Slate ' His images capture the similarities of youthful play across social boundaries and national borders, but also the deep divides of class and privilege that are often put in place long before we're old enough to understand their implications.--Allison Meier 'Hyperallergic ' The images are scenic and delightful, illustrating both the common activity of recreation and the differences in the places children have available to them. Some are wooded, others paved and urban. Some look posh, others hardscrabble. Some are majestic. Some aren't playgrounds at all.--Conor Risch 'PDN ' In previous projects ranging from closeups of apes to group shots of rock-fan disciples, Mollison has shown glimpses of individuality within swaths of sameness, in which detailed study reveals layers of insight. This series continues the trend, depicting schoolchildren romping on playgrounds throughout the globe; their environs vary wildly, from the wilds of Kenya to the cramped modernity of Japan, but their unbridled energy is constant.--Jack Crager 'American Photo ' While on assignment, Mollison expanded the project to include schools in Kenya and eventually trekked around the world, photographing playgrounds in more than a dozen countries. He found an incredible diversity in the schools but, also, a universality in the children's play--particularly with boys.--Paul Makovsky 'Metropolis Magazine ' The photos recall the scenes of fun, embarrassment, relaxation, disappointment and anxiety that plague the playground for a growing brain. Although, in retrospect, the notion of playtime tends to acquire a rose-colored glow, Mollison reminds us of the intensity and calamity that often occurred between classes. The photographer set up his camera during school breaks, capturing multiple frames and then collapsing them into a single composite image, in which a constructed play narrative is created. -Huffington Post The images are stunning in their color and size, and use socio-economic, cultural and political elements as backdrops. - Wired His images capture the similarities of youthful play across social boundaries and national borders, but also the deep divides of class and privilege that are often put in place long before we're old enough to understand their implications. - Hyperallergic While on assignment, Mollison expanded the project to include schools in Kenya and eventually trekked around the world, photographing playgrounds in more than a dozen countries. He found an incredible diversity in the schools but, also, a universality in the children's play--particularly with boys. -Metropolis Magazine The photos recall the scenes of fun, embarrassment, relaxation, disappointment and anxiety that plague the playground for a growing brain. Although, in retrospect, the notion of playtime tends to acquire a rose-colored glow, Mollison reminds us of the intensity and calamity that often occurred between classes. The photographer set up his camera during school breaks, capturing multiple frames and then collapsing them into a single composite image, in which a constructed play narrative is created. 'Huffington Post' The images are stunning in their color and size, and use socio-economic, cultural and political elements as backdrops. 'Wired' His images capture the similarities of youthful play across social boundaries and national borders, but also the deep divides of class and privilege that are often put in place long before we re old enough to understand their implications. 'Hyperallergic' Like a living 'Where s Waldo?' illustration, in each photograph are those echoes of different memories, both good and bad, in the chaotic schoolyard crowd. 'Hyperallergic' While on assignment, Mollison expanded the project to include schools in Kenya and eventually trekked around the world, photographing playgrounds in more than a dozen countries. He found an incredible diversity in the schools but, also, a universality in the children's play particularly with boys. 'Metropolis Magazine' ' Reseña del editor James Mollison’s photo projects are defined by smart, original concepts applied to serious social and environmental themes. For his latest book, Playground, Mollison photographs children at play in their school playgrounds, inspired by memories of his own childhood and interested in how we all learn to negotiate relationships and our place in the world through play. For each picture, Mollison sets up his camera during school break time, making multiple frames and then composing each final photograph from several scenes, in which he finds revealing “play” narratives. With photographs from rich and poor schools, in countries including Argentina, Bhutan, Bolivia, India, Israel, Italy, Japan, Kenya, Nepal, Norway, Sierra Leone, the United Kingdom, and the U.S., Mollison also provides access for readers of all ages to issues of global diversity and inequality. Nota de la solapa From Jane Goodall's Introduction: 'In 1859 Darwin shocked much of the world with his theory of evolution. Most people now accept the idea that we have evolved not from the modern great apes - chimpanzees, bonobos, gorillas and orangutans - but a common ancestor: a chimp-like human-like creature who lived some six to seven million years ago. Recent research has revealed startling similarities in the structure of DNA in apes and humans. We differ from chimpanzees by only about one per cent. Chimpanzees and bonobos are closer to humans than they are to gorillas. All three African great apes show more similarities to us than to orangutans. 'In most of the places where they range, the great apes face extinction within the next ten to fifteen years if we do not act to save them. There were probably close to two million chimpanzees across Africa 100 years ago. Today there are no more than 150,000. They are declining in numbers as a result of ever-growing human populations, constantly encroaching the remaining forests, fragmenting remaining habitats, setting snares and hunting. The situation is even worse for mountain gorillas and orangutans. As wild ape numbers decrease, so the population of orphans in sanctuaries is increasing. Chimpanzees, gorillas and bonobos are being hunted, along with elephants, antelopes and myriad other species, for food - and not to feed starving people, but to satisfy a taste for 'bushmeat' among the urban elite. There is not much meat on an infant ape, so often it will be sold alive, illegally, in the market beside the cut-up body of its mother. 'James Mollison's portraits are of the orphans, confiscated from illegal traders, that make up thepopulation of at least nine seven sanctuaries in Africa and Asia. Many of them have seen their mothers killed, and sometimes butchered, in front of them. Each individual ape has his or her own tragic story of pain and trauma. Each one is different. Look into the eyes of each one of them and you will sense their unique personality. 'I hope that James and Other Apes will stimulate thinking, and help people to understand better our place in nature. For many it will be a humbling experience. We are different from other animals (as they are different from each other) but not as different as we thought.' ((c) Jane Goodall) Biografía del autor James Mollison was born in Kenya. His photographs have been featured widely in such publications as Colors, the New York Times Magazine, and Paris Review. He has also published several books, among them James and Other Apes (2004), The Disciples (2008), and Where Children Sleep (2010). Jon Ronson is an award-winning writer and documentary maker. He is the author of many bestselling books, including The Men Who Stare at Goats (2005). He also cowrote the screenplay for the film Frank (2014).
Detalles del Libro
- Name: Playground: James Mollison
- Autor: James Mollison
- Categoria: Libros,Arte, cine y fotografía,Fotografía
- Tamaño del archivo: 16 MB
- Tipos de archivo: PDF Document
- Descargada: 412 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descargar Playground: James Mollison de James Mollison Ebooks, PDF, ePub
Playground – Caminos hacia la sostenibilidad ~ JAMES MOLLISON . Descarga Caminos hacia la sostenibilidad S.M.A.R.T. (PDF) James Mollison (Kenia, 1973) confirma que «el juego es increíblemente universal» en Playground, una serie fotográfica que muestra escenas de recreo en escuelas de distintos lugares del planeta.
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Así es el recreo en distintos lugares del mundo ~ James Mollison (Kenia, 1973) recorre el mundo con su cámara de fotos para dar forma a su último proyecto 'Playground' (Patio), en el que captura imágenes de distintas escuelas a lo largo y ancho del planeta (desde Bután a Israel, desde Estados Unidos a Sierra Leona) que comparten fundamentalmente una cosa en común: en todas ellas los niños están en el recreo, pero en cada país los .
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El colegio como ciudad, el patio escolar como plaza – ARQA ~ Serie Playgrounds, de James Mollison sobre patios escolares en distintas ciudades del mundo. En 1951 Hans Scharoun exploraba las relaciones del hombre con el espacio a través del proyecto de una escuela de educación primaria en Darmstadt dentro de un evento, el Darmstädter Gespräch,1
¿Cómo son los patios de escuela de diferentes países del ~ James Mollison es un fotógrafo de renombre que ha sido galardonado con diferentes premios y sus trabajos han sido publicados en numerosas revistas y periódicos de prestigio de todo el mundo, The New York Times Magazine, The Guardian, The Paris Review, GQ, New York Magazine o Le Monde, entre otros. Ha escrito libros como Las Memorias de Pablo Escobar, el gánster más rico y violento de la .
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Video: English project “Rooms” Think1.tv ~ Los alumnos de 4º de la ESO del Colegio Montserrat han basado su Proyecto de inglés “Rooms” en el libro Where Children Sleep, del fotógrafo mundialmente conocido James Mollison. Sus historias de diferentes niños de alrededor del mundo, explicadas por medio de retratos y fotos de sus habitaciones, han inspirado esta interesante entrevista al Sr. Mollison.
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8 imágenes que muestran cómo es el recreo en distintos ~ James Mollison (Kenia, 1973) recorre el mundo con su cámara de fotos para dar forma a su último proyecto 'Playground' (Patio), en el que captura imágenes de distintas escuelas a lo largo y ancho del planeta (desde Bután a Israel, desde Estados Unidos a Sierra Leona) que comparten fundamentalmente una cosa en común: en todas ellas los niños están en el recreo, pero en cada país los .
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La diversidad de los patios de escuela del mundo en ~ La última exposición del fotógrafo James Mollison presenta una mirada internacional a los lugares de juego de los niños de diferentes países del mundo. Las imágenes muestran patios de escuelas ricas y pobres de países como Bután, Israel, Japón y Kenia.
Los 7 distintos patios de juegos en colegios alrededor del ~ James Mollison viajó por todo el mundo para fotografiar a los niños jugando durante los descansos de la escuela. ¡Mira lo que encontró en esta galería!
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El patio de mi instituto / Blog de clases particulares ~ Aprovechando el proyecto Playground, del fotógrafo James Mollison, os propongo esta actividad en torno al patio, a los patios del mundo.Este es el documento para el alumnado. Playground2 by Aitor Lázpita
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