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Civil Imagination: A Political Ontology of Photography de Ariella Azoulay
Descripción - Críticas 'This book is a major intervention in the field of political philosophy, visual cultures, photography and architecture. The new ontology of photography developed by Azoulay builds upon, but also decisively challenges, articulated relations between the aesthetic and the political from Kant through Benjamin, Arendt and Ranciere. Here, Azoulay uses her theory to suggest an alternative politics based on the re-reading and reinterpretation of photographs of the Nakba in 1948 and of the architecture of the Israeli occupation since 1967. Civil Imagination is nothing less than a proposal for a new form of politics now made ever more relevant throughout the Middle East.' Eyal Weizman, author of Hollow Land and Least of All Possible Evils 'This remarkable book enhances Ariella Azoulay's position as the most compelling theorist of photography writing today. Photography, she argues, must be understood as a collective event in which vision, speech and action are intertwined and inseparable from ongoing global struggles between sovereign violence and civil society.' Jonathan Crary, Meyer Schapiro Professor of Modern Art and Theory, Columbia University 'Takes on the state of our contemporary visual culture and takes aim at the many received ideas that march under the banner of 'art and politics.' The Brooklyn Rail Reseña del editor Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the oppressive reality foisted upon the people depicted. Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the 'civil' must be distinguished from the 'political' as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform. Azoulay's book sketches out a new horizon of civil living for citizens as well as subjects denied citizenship--inevitable partners in a reality they are invited to imagine anew and to reconstruct.Beautifully produced with many illustrations, Civil Imagination is a provocative argument for photography as a civic practice capable of reclaiming civil power. Biografía del autor Ariela Azoulay teaches political thought and visual culture at Brown University. She is a curator and documentary film maker.
Detalles del Libro
- Name: Civil Imagination: A Political Ontology of Photography
- Autor: Ariella Azoulay
- Categoria: Libros,Arte, cine y fotografía,Fotografía
- Tamaño del archivo: 7 MB
- Tipos de archivo: PDF Document
- Descargada: 125 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descarga Civil Imagination: A Political Ontology of Photography de Ariella Azoulay Libro PDF
Civil Imagination: A Political Ontology of Photography ~ Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to .
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Civil Imagination: A Political Ontology of Photography ~ Buy Civil Imagination: A Political Ontology of Photography Reprint by Ariella Azoulay (ISBN: 9781784783037) from 's Book Store. Everyday low prices and free delivery on eligible orders.
Civil Imagination - Verso Books ~ Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the “civil” must be distinguished from the “political” as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they .
Civil imagination : a political ontology of photography in ~ Photography, writes Ariella Azoulay in Civil Imagination, is an event and an encounter, irreducible to its end product: the photograph. This shift in focus to the practice of producing photographs (the "Copernican Revolution" in studying photography) brings to light how images can both reinforce and resist power regimes.
Civil Imagination. Ontologia politica della fotografia ~ Traduzione in italiano del volume di Ariella Azoulay, "Civil Imagination". Nel testo l'autrice mira a costruire una 2ontologia politica della fotografia", rileggendo il prodotto fotografico come risultato di una serie di intrazioni all'interno di una "comuniità" della fotografia.
Book Review / Civil Imagination: A Political Ontology of ~ In Civil Imagination: A Political Ontology of Photography, Ariella Azoulay, Professor of Comparative Literature and Modern Culture and Media at Brown University, interrogates issues of visual culture, in particular photography, the role of spectator-critics, body politics, and citizenship.She argues that the boundaries of “the aesthetic,” “the political,” and “the civil” perpetuate .
Ontologia politica della fotografia / Ariella Azoulay ~ Civil Imagination: The Political Ontology of Photography è stato pubblicato da Verso nel 2011 ed è il secondo libro tradotto in italiano dopo Atto di Stato. Palestina-Israele, 1967-2007. Storia fotografica dell'occupazione. Compra questo libro insieme a Cindy Sherman
t—e—e o r í a : t—e—e ~ Es autora de Civil Imagination: The Political Ontology of Photography (2012), From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947–1950 (2011), The Civil Contract of Photography (2008), y coautora junto con Adi Ophir de The One State Condition: Occupation and Democracy between the Sea and the River (2012).
Teoría & práctica trimestral del CCM ~ popular libro de dos de los fundadores del CCM, P.C. Hiebert y Orie O. Miller, combinaron más de cien imágenes inquietantes con informes de trabajadores(as) del CCM en Rusia. Tal y como Robert S. Kreider y Rachel Waltner Goossen señalaron en su libro, Hungry, Thirsty, a Stranger, estos informes (originalmente comunicados de
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FOTOGRAFÍAS EN CUANTO ESPACIO PÚBLICO ~ Civil Imagination. A Political Ontology of Photography. Nueva York: Verso, p. 18. 224 Revista de Estudios Globales y Arte Contemporáneo Vol. 3, Núm. 1 (2015), 220-246 imágenes que se deriven de este9. . En sus libros The Civil Contract of Photography13 y
Correspondencias – FotoColectania ~ Tu visión radical en ese libro sugería que la fotografía había entrado desde el minuto cero en el . en cierto modo, en el Civil contract of photography (2008) ya había desviado la atención del . Sus libros incluyen: Potential History – Unlearning Imperialism (Verso, 2019), Civil Imagination: The Political Ontology of Photo
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Between documentality and imagination: Five theses on ~ Between documentality and imagination: Five theses on curating the violent past. Vikki Bell. . Azoulay, A (2012) Civil Imagination: A Political Ontology of Photography. London: Verso . Chababo, R (2014) Diálogos transnacionales para pensar después del horror: reseña sobre el libro Lesa Humanidad: Argentina y Sudáfrica .
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