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Descripción - Reseña del editor The identity of European cinema, like the identity of Europe itself, is multiple, complex, and fascinating. Providing both a general survey of contemporary European cinema production, distribution and exhibition and detailed critical analysis of specific films, directors, and national cinemas, this volume offers a stimulating and thought-provoking contribution to current film debate. While the book s critical essays offer keen insight into the complex identities of European cinema, its combination of breadth and detail, and its interdisciplinary focus and background ensure its wider relevance to anyone interested in questions of contemporary culture and European affairs in general. Its stylistic clarity and freedom from jargon make it readable and accessible.The essays have been written by respected academics working in a number of disciplines including Film and Media Studies, Modern Languages, and Cultural Studies. Topics include questions of memory and identity; filmic autobiography and first-person narration; cultural identity; peripheral voices; popular film and political film. Individual directors, and different national cinemas, including those of France, Germany, Northern Ireland, Russia, Scotland and Spain, are viewed in a wider pan- European context.' Biografía del autor Wendy Everett is Senior Lecturer in French and Film at the University of Bath, and has published widely in European cinema studies.
THE DEVELOPMENT OF EUROPEAN IDENTITY/IDENTITIES ~ Foreword European identity/identities has been a research topic on the European Commission's agenda since the 1990s and the 5th Framework Programme for Research and Technological Development. At a time of socio-economic crisis in Europe, and at the dawn of the European Year of Citizens
European identity in cinema (Book, 1996) [WorldCat] ~ ISBN: 1871516919 9781871516913: OCLC Number: 35731357: Description: 112 pages ; 25 cm. Contents: Introduction: European film and the quest for identity / Wendy Everett --Framing the fingerprints: a brief survey of European film / Wendy Everett --Louis Malle: a European outsider in the American mainstream / Peter Hawkins --Les visiteurs: a popular form of cinema for Europe?
European Identity in Cinema: Everett, Wendy: 9781841509167 ~ The identity of European cinema, like the identity of Europe itself, is multiple, complex, and fascinating. Providing both a general survey of contemporary European cinema production, distribution and exhibition and detailed critical analysis of specific films, directors, and national cinemas, this volume offers a stimulating and thought-provoking contribution to current film debate.
Code Unknown: European Identity in Cinema ~ Code Unknown: European Identity in Cinema Temenuga Trifonova, University of New Brunswick, Canada A review of recent scholarly writing on European cinema suggests that the two most significant developments in European cinema in the last couple of decades -- the trend to
European Cinema: a Reflection on European Identity ~ This course examines pressing European social and political subjects in present European cinema. In discussing current trends in European identity, students will be familiarized with European most influential sociological, political and artistic discussions regarding European identity, as well as be introduced to the works of some of the most influential European filmmakers.
Film and European Identity: A German Case Study ~ Is there any connection between European films and European identity? Has being European something to do with going to the cinema or with watching European movies on television? In this chapter, I begin to answer these questions through a case study of a German focus group, and by developing an appropriate theoretical and methodological framework.
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The meaning of “European identity” today (I) – Classe ~ Therefore in order to avoid a positive substantialist notion of collective identity, the reification of European identity as a given, it is necessary to consider the latter not as a proper analytical category but as a “category of everyday languages that hinders rather than helps to understand what kind of collective identity might emerge in the polity of the Europeans” (Eder 2011).
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European Identity Revisited: New approaches and recent ~ European Identity Revisited: New approaches and recent empirical evidence Critical European Studies: : Viktoria Kaina, Ireneusz Pawel Karolewski, Sebastian Kuhn: Libros en idiomas extranjeros
Historia del cine europeo - Ediciones Rialp ~ Casi 90 fotografías, amplias bibliografías y cronologías, además de 400 fichas técnico-artísticas con valoraciones críticas, completan este libro. José María Caparrós Lera (1943) es doctor en Filosofía y Letras, y Profesor Titular de Historia Contemporánea y Cine en la Universidad de Barcelona.
European Identity in Cinema [WorldCat Entities] ~ European Identity in Cinema The identity of European cinema, like the identity of Europe itself, is multiple, complex, and fascinating. Providing both a general survey of contemporary European cinema production, distribution and exhibition and detailed critical analysis of specific films, directors, and national cinemas, this volume offers a stimulating and thought-provoking contribution to .
European identity in cinema - Actualidad NebrijaActualidad ~ European identity in cinema. Publicado: 10 julio, 2017. El cine como elemento vehicular de la cultura europea. Editado por la profesora de la Universidad de Bath, Wendy Everett, European identity in cinema es una obra coral en la que han participado expertos y críticos de cine para exponernos cómo el séptimo arte ha ido plasmando la identidad cultural europea desde sus orígenes.
European Identity and Culture: Narratives of Transnational ~ European Identity and Culture: Narratives of Transnational Belonging Studies in Migration and Diaspora: : Thiel, Markus, Friedman, Rebecca: Libros en idiomas extranjeros
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The Europeanness of European Cinema: Identity, Meaning ~ The Role of European Co-Productions, Funds and Film Awards 59 Anne J¨ackel 4 From European Co-Productions to the Euro-Pudding 73 Mariana Liz 5 Christianity and European Film 87 Catherine Wheatley 6 The Feather Collectors: Erased Identity and Invisible Representations of the Roma in Yugoslav Cinema 101 Greg De Cuir Jr. Section 2 Transnational Europe: Genre, Stardom and Language 7 The Trouble .
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European Cinema Night: The MEDIA Programme goes local and ~ MEDIA – the European Commission programme supporting the development and the distribution of European audiovisual works – is organising for the first time a unique outreach event with the objective of bringing Europe closer to citizens while celebrating together the richness of the European film culture. The event, entitled ‘European Cinema Night – Sharing stories we love’ will take .
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Sébastien Lifshitz - Wikipedia, la enciclopedia libre ~ Sébastien Lifshitz (París, 21 de enero de 1968) es un guionista y director de cine francés.. Entre 1987 y 1992 estudió Historia del Arte en la École du Louvre y en La Sorbona.Después asistió al Centro Pompidou para ser realizador. Es profesor de la escuela La Fémis (École Nationale Supérieure des Métiers de l'Image et du Son), principal escuela de imagen y sonido de Francia.
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