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Live Flesh: The Male Body in Contemporary Spanish Cinema de Santiago Fouz-Hernandez,Alfredo Martinez-Exposito
Descripción - Críticas ''One of [Live Flesh's] great strengths is the way that it builds upon the already habitually sharpened perspective of the emigre internalizing something of a second culture, and adds a strong commitment to seeking out the best and newest in the once home culture. The authors...enthusiastically identify a new, rapidly growing trend towards the formation of a distinctively Spanish style of theorizing visual culture, gender, sexuality, and the everyday and this often proves...interesting...The book is rich in its allusions to contemporary radical debate of this sort in Spain while maintaining a distinctive and original focus...''-- Hispanic Research Journal Reseña del editor In post-Franco Spain, a re-shaping of notions of the masculine has been under way for some time. The authors of 'Live Flesh' demonstrate how contemporary Spanish films, during this modern period, have contributed to this process. They do so by visualizing the ways in which Spanish men have been abandoning old self images and adopting new ones, and they explain and explore the complexity and diversity of these fresh cinematic creations of masculine identities. The book's point of focus is Spanish films of the democratic period, both popular and auteur, made by directors of national and international prominence, such as Pedro Almodovar, Alejandro Amenabar, Bigas Luna or Julio Medem, as well as films featuring acclaimed actors who have contributed to the construction of contemporary ideas of the masculine in their country, including Antonio Banderas and Javier Bardem. Using a fresh theoretical framework, embracing queer and feminist theory and concepts of nation, race and class, each chapter examines key films that represent the male body, highlighting notable elements - young, muscular, homosexual, (dis)abled, foreign and so on - and goes on to focus on recent case studies from the early 1990s to the present. An increasingly transnational Spanish cinema is a most promising field in which to explore questions of how male bodies are represented - and mediated - in film. 'Live Flesh' more than fulfils this promise and goes further, to reveal how these representations have intervened in the Spanish cultural imagination. Biografía del autor The Authors Santiago Fouz-Hernandez teaches Spanish and Film Studies at the University of Durham. His publications include, as co-editor with Freya Jarman, Madonna's Drowned Worlds. Alfredo Martinez-Exposito is Reader in Spanish, University of Queensland. His books include, as editor, Gay and Lesbian Writing in the Hispanic World.
Detalles del Libro
- Name: Live Flesh: The Male Body in Contemporary Spanish Cinema
- Autor: Santiago Fouz-Hernandez,Alfredo Martinez-Exposito
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 16 MB
- Tipos de archivo: PDF Document
- Descargada: 253 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descargar Live Flesh: The Male Body in Contemporary Spanish Cinema de Santiago Fouz-Hernandez,Alfredo Martinez-Exposito libros ebooks
Contemporary Spanish Cinema - Durham University ~ Faulkner, Sally (2013) A History of Spanish Film: Cinema and Society 1910-2010. London: Bloomsbury. Fouz-Hernández, Santiago and Alfredo Martínez-Expósito (2007) Live Flesh: The Male Body in Contemporary Spanish Cinema (London and New York: I. B. Tauris)
Untitled Document [www.ed-bellaterra] ~ Es autor, con Alfredo Martínez Expósito, del libro Live Flesh: The Male Body in Contemporary Spanish Cinema (2007), compilador de dos colecciones de ensayos sobre las masculinidades en el cine, incluyendo Mysterious Skin: Male Bodies in Contemporary Cinema (2009), además de co-editor de las colecciones de ensayos académicos Madonna’s Drowned Worlds (2004) y Re-thinking «Identities .
Mysterious Skin: Male Bodies in Contemporary Cinema ~ Santiago Fouz-Hernández lectures Spanish Cinema at the University of Durham, UK. He is co-author of 'Live Flesh: The Male Body in Contemporary Spanish Cinema' (I.B. Tauris, 2007) and co-editor of 'Madonna's Drowned Worlds: New Approaches to Her Cultural Transformations' (1983-2003) (2004).
Cuerpos de cine. Masculinidades carnales en el cine y la ~ publicaciones otros libros similares en inglés: Live Flesh: The Male Body in Con-temporary Spanish Cinema (con Alfredo Martínez Expósito), y el compendio del que es editor Mysterious Skin: Male Bodies in Contemporary Cinema (2009). Su otro gran interés es la música popular, en especial su conexión con lo audiovi-sual.
Ficha - UC3M ~ Everet, Wendy Ellen. European Identity in Cinema. Intellect books. 2005; Fouz-Hernández, Santiago and Martínez Exposito, Alfredo. Live Flesh: The Male Body in Contemporary Spanish Cinema.
Cultural activities of Instituto Cervantes ~ Santiago Fouz Hernández is Professor in Hispanic Studies and Film Studies at Durham University (UK). He is author of the books "Cuerpos de cine, masculinidades carnales en el cine y la cultura popular contemporáneos" (Bellaterra, 2013) and, with Alfredo Martínez Expósito, "Live Flesh: The Male Body in Contemporary Spanish Cinema" (I. B. Tauris, 2007).
El corazón del guerrero - Wikipedia, la enciclopedia libre ~ Alfredo Martinez-Expósito, ed. Live Flesh: The Male Body in Contemporary Spanish Cinema (en inglés). I.B. Tauris. pp. 71-75. ISBN 9781845114503. Pardo García, Pedro Javier (2011). «Cine, literatura y mito: Don Quijote en el cine, más allá de la adaptación». Arbor: Ciencia, pensamiento y cultura (748): 237-246. ISSN 0210-1963.
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Actividades culturales del Instituto Cervantes ~ Santiago Fouz Hernández es Profesor de Estudios Hispánicos y Estudios de Cine en la Universidad de Durham (Reino Unido). Es autor de los siguientes títulos: "Cuerpos de cine, masculinidades carnales en el cine y la cultura popular contemporáneos" (Bellaterra, 2013) y coautor junto a Alfredo Martínez Expósito de Live Flesh: "The Male Body in Contemporary Spanish Cinema" (I. B. Tauris, 2007).
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Palmeras en la nieve (2015) - IMDb ~ Directed by Fernando González Molina. With Mario Casas, Adriana Ugarte, Macarena García, Alain Hernández. After the death of her father, a young Spanish woman discovers a partial letter. As she searches for the answers, she embarks on a journey that takes her back to Africa, where she unfolds the secrets of her family.
Anexo:Películas neo-noir - Wikipedia, la enciclopedia libre ~ La siguiente lista incluye películas de género neo-noir.Dado que comúnmente las películas de cine negro —o film noir— están asociadas a las décadas de 1940 y 1950, la lista considera los años 1960 como comienzo del género neo-noir. [1] [2