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The Personal Camera - The Subjective Cinema and the Essay Film (Nonfictions) de Laura Rascoroli
Descripción - Críticas Rascaroli's text is one of impressive intellectual rigor and of utter importance to the study of an ever-changing form - subjective cinema - and of filmmaking at large.--Daniele Rugo 'Scope 'Comprehensive, insightful, richly detailed, and passionately argued... Essential.--Choice Reseña del editor The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate formsthe diary, the travelogue, the notebook and the self-portraitis cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the filmmaker, instead of withdrawing behind the camera, comes out into the open, to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. This study provides a unique insight into an intricate but fascinating field, by engaging with the work of directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Alexander Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Wim Wenders, Jonas Mekas and Agnés Varda. Biografía del autor Laura Rascaroli is senior lecturer in film studies at University College Cork, Ireland. She is the author, in collaboration with Ewa Mazierska, ofFrom Moscow to Madrid: Postmodern Cities, European Cinema (2003), The Cinema of Nanni Moretti: Dreams and Diaries (2004), andCrossing New Europe: Postmodern Travel and the European Road Movie (2006).
Detalles del Libro
- Name: The Personal Camera - The Subjective Cinema and the Essay Film (Nonfictions)
- Autor: Laura Rascoroli
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 10 MB
- Tipos de archivo: PDF Document
- Descargada: 264 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descargar The Personal Camera - The Subjective Cinema and the Essay Film (Nonfictions) de Laura Rascoroli libros ebooks
The Personal Camera: Subjective Cinema and the Essay Film ~ The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms the diary, the travelogue, the notebook and the self-portrait is cinema in the first person.
The personal camera : subjective cinema and the essay film ~ Get this from a library! The personal camera : subjective cinema and the essay film. [Laura Rascaroli] -- "The Personal Camera is an exploration of an elusive but increasingly compelling field: essayistic cinema. The essay film, together with its cognate forms - the diary, the travelogue, the notebook .
The Personal Camera / Columbia University Press ~ The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms the diary, the travelogue, the notebook and the self-portrait is cinema in the first person.
Books The Personal Camera: Subjective Cinema and the Essay ~ Click Here http://booksgoodreads.readingpdf/?book=1906660131Ebook The Personal Camera: Subjective Cinema and the Essay Film (Nonfictions) Free Download
The Personal Camera: Subjective Cinema and the Essay Film ~ The Personal Camera is an engaging, sometimes illuminating and well-grounded look at basically what people have for years now been calling the essay film. “The object of study of this book is sited at the intersection of documentary, art film and avant-garde practices, and is best defined as subjective, first-person, essayistic cinema.”
The personal camera: subjective cinema and the essay film ~ The personal camera: subjective cinema and the essay film. Rascaroli, Laura 'The Personal Camera' is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms - the diary, the travelogue, the notebook and the self-portrait - is cinema in the first person.
The Essay Film - cpb-ap-se2.wpmucdn ~ essay film produces a particular articulation of subjectivity; the mere pres-ence of a strong subject does not make an essay film. We can safely argue that Federico Fellini’s films, for instance, were always highly subjective as well as deeply autobiographical; yet, this does not make them all essays—even
: A , S DELL ARTE STORIA, CRITICA E CONSERVAZIONE DEI BENI ~ Personal Camera. Subjective cinema and the essay film, (Wallflower Press, London and New York, 2009). Nell’ambito italiano, Federica Villa, docente presso l’Università di Pavia, ha intrapreso un percorso di ricerca sui modi e sulle forme autobiografiche e autoritrattistiche tra
(PDF) The Film Essays: Writing with the Movie Camera. ~ Film essays based on theme, ethnographic film essays, and biographic film essays. The third distinction that I am going to introdu ce is linked with the fo cus of the content. The
Subjective Cinema: And the Problem ~ Subjective Cinema: And the Problem of Film in the First Person JULIO L. MORENO JULIO L. MORENO, a twenty-eight-year-old attorney and film critic, is also a member of the editorial board of Film, published by Cine Universitario in Montevideo, Uruguay. This article by Sefior Moreno recently appeared in two issues of Film. It is reprinted here
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The Cinematic Essay: Argumenative Writing and Documentary Film ~ film were revealed in discussion board posts, where most of the students provided intelligent commentary on Watkins’ film and indicated how they could use similar techniques in the video essays I asked them to construct as the final assignment of the semester. I chose to show The War Game not only as an early example of the essay film, but
Essay Films - Film Comment ~ Essay Films By Paul Arthur in the January-February 2003 Issue Galvanized by the intersection of personal, subjective rumination, and social history, the essay has emerged as the leading nonfiction form for both intellectual and artistic innovation.
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Deep focus: The essay film / Sight & Sound / BFI ~ The Sight & Sound Deep Focus season Thought in Action: The Art of the Essay Film runs at BFI Southbank 1-28 August 2013, with a keynote lecture by Kodwo Eshun on 1 August, a talk by writer and academic Laura Rascaroli on 27 August and a closing panel debate on 28 August.
Video essay: The essay film – some thoughts of discontent ~ I cannot recall how the term ‘video essay’ came to be the adopted nomenclature for the ever-increasing output of online videos produced over the past few years by an ever-growing range of self-appointed practitioners (including myself). My own entrance into this field was an organic synthesis of my backgrounds as a film critic and a filmmaker, two modes that had competed with each other in .
Watch: How to Master Perspective in Cinema - No Film School ~ You can use every cinematic tool at your disposal to illustrate these perspectives—angles, framing, the length of the lens, camera movement, and editing are just a few examples. In addition, playing with transitions from objective to subjective perspective within a single scene will alter the tone of your film.
Film spectatorship and subjectivity : semiotics ~ In an attempt to demonstrate the importance of subjectivity in film spectatorship studies, I address three primary notions in film reception studies – the text’s structure, cultural complications and psychological satisfactions. In doing so, I consider how each of these notions significantly involves the ‘subjective individual’.
Syllabus / The Film Experience / Literature / MIT ~ Film Screening: 1 session / week, immediately after the week's 2 nd lecture **Several weeks of this class operate in a "flipped" mode. During these weeks, one lecture will be live, while the 2 nd lecture is replaced by students watching Prof. Thorburn's prerecorded lecture videos on OpenCourseWare.
What's the difference between 'Objective' and 'Subjective ~ An objective camera shot show usually involves the camera observing the action in a scene 'objectively'. The shot is essentially looking in on the action. A subjective shot is one which replicates the point of view, or mindset of a character in a film.
The Film Essay - YouTube ~ A video essay channel devoted to making videos exploring cinema as a medium, the techniques used and all that lies beyond. Like me on Facebook! https://www.f.
A Film Analysis Essay - How To Write / Raindance - Raindance ~ Writing a film analysis essay should be fun, right? You have a chance to watch a movie and then to write your impressions. Seems easy-peasy! But, after watching a movie, you find yourself in front of a blank sheet of paper, without knowing where to start, how to organise your essay and what are the essential points you need to cover and analyse.
European Cinema - Face to Face With Hollywood / European ~ This time, the challenge for films, filmmakers and critics is to be European enough to preserve Europe ’ s cultural diversity and historical depth, as well as outward- looking enough to be trans-national and part of world cinema. The essays brought together in European Cinema: Face to Face with Hollywood present a cross-section of my writings .
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