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Johnny Cash at Folsom and San Quentin: Photographs by Jim Marshall de Jim Marshall
Descripción - CrÃticas There's a raw, unselfconscious energy here that you miss in late-era Johnny ...Thank goodness Jim Marshall was there to capture it all.--Malcolm Jones 'Daily Beast ' Reseña del editor A powerful portrait of a legendary musician by a legendary photographerCarefully curated with full access to the Jim Marshall Archive, this powerful oversize volume offers the definitive view of Johnny Cash's prison concerts at Folsom in 1968 and San Quentin in 1969. Jim Marshall was the only official photographer present, and was granted unlimited access.Backed by June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom. The resulting album was a hit in the United States, and reached number one on the country charts and the top 15 of the national album chart. Its popularity revitalized Cash's career and led to a follow-up album, At San Quentin, the following year. San Quentin became Cash's first album to hit number one on the pop charts and both it and its predecessor remain two of the biggest-selling live albums of all time.From rehearsing with the band, to arriving off the bus outside the imposing prison walls, to shaking hands with prisoners and performing until sweat dripped down his forehead, Marshall captured the passion, authority and intimacy of Cash's legendary penitentiary performances. His 'JC Flippin' the Bird at San Quentin Prison' has become one of the most iconic and most-copied photographs of the 20th century, a result of Marshall asking Cash to express what he thought about the prison authorities: 'John, let's do a shot for the warden.'Johnny Cash was one of Jim Marshall's favorite subjects, something that is evident in his Folsom and San Quentin photographs. This body of work showcases some of the most arresting photographs of the country music star ever taken. Nota de la solapa A powerful portrait of a legendary musician by a legendary photographer. Carefully curated with full access to the Jim Marshall Archive, this handsome oversized volume offers the definitive view of Johnny Cash's legendary prison concerts at Folsom in 1968 and San Quentin in 1969. Cash had been interested in recording a live album at a prison since his 1955 hit, 'Folsom Prison Blues.' The idea was put on hold for a few years until 1968, when Cash visited one of California's oldest maximum-security prisons to record his At Folsom Prison album. Cash had known Jim Marshall since the early 1960s and personally requested him to record the prison concert. Marshall was the only official photographer present, and was granted unlimited access. Backed by June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom. The resulting album was a hit in the United States, and reached Number One on the country charts and the top 15 of the national album chart. Its popularity revitalized Cash's career and led to a follow up album, At San Quentin, the following year. Again, Marshall was personally invited to document the concert. San Quentin became Cash's first album to hit Number One on the pop charts and both it and its predecessor remain two of the biggest selling live albums of all time. From arriving off the bus outside the imposing prison walls, to shaking hands with prisoners (including Glen Sherley, who wrote the song 'Greystone Chapel' sung by Cash), and performing until sweat dripped down his forehead, Marshall captured the passion, authority and intimacy of Cash's performances. His 'JC Flippin' the Bird at San Quentin Prison' has become one of the most iconic and most-copied photographs of the 20th century and came about when Marshall asked Cash to express what he thought about the prison authorities: 'John, let's do a shot for the warden.' Johnny Cash was one of Jim Marshall's favorite subjects and you can see this in his Folsom and San Quentin photographs. This body of work showcases some of the most arresting photographs of the country music star ever taken. Contraportada A powerful portrait of a legendary musician by a legendary photographer. Carefully curated with full access to the Jim Marshall Archive, this handsome oversized volume offers the definitive view of Johnny Cash's legendary prison concerts at Folsom in 1968 and San Quentin in 1969. Cash had been interested in recording a live album at a prison since his 1955 hit, 'Folsom Prison Blues.' The idea was put on hold for a few years until 1968, when Cash visited one of California's oldest maximum-security prisons to record his At Folsom Prison album. Cash had known Jim Marshall since the early 1960s and personally requested him to record the prison concert. Marshall was the only official photographer present, and was granted unlimited access. Backed by June Carter, Carl Perkins and the Tennessee Three, Cash performed two shows at Folsom. The resulting album was a hit in the United States, and reached Number One on the country charts and the top 15 of the national album chart. Its popularity revitalized Cash's career and led to a follow up album, At San Quentin, the following year. Again, Marshall was personally invited to document the concert. San Quentin became Cash's first album to hit Number One on the pop charts and both it and its predecessor remain two of the biggest selling live albums of all time. From arriving off the bus outside the imposing prison walls, to shaking hands with prisoners (including Glen Sherley, who wrote the song 'Greystone Chapel' sung by Cash), and performing until sweat dripped down his forehead, Marshall captured the passion, authority and intimacy of Cash's performances. His 'JC Flippin' the Bird at San Quentin Prison' has become one of the most iconic and most-copied photographs of the 20th century and came about when Marshall asked Cash to express what he thought about the prison authorities: 'John, let's do a shot for the warden.' Johnny Cash was one of Jim Marshall's favorite subjects and you can see this in his Folsom and San Quentin photographs. This body of work showcases some of the most arresting photographs of the country music star ever taken. BiografÃa del autor Jim Marshall (1936-2010) has been called the most celebrated and prolific photographer of the twentieth century. In a career that ended with his untimely death in 2010, Marshall shot more than 500 album covers and his photographs are in private and museum collections around the world. Posthumously, Marshall holds the distinction of being the only photographer to ever be honoured with a Grammy Trustees Award for his life's work.
Detalles del Libro
- Name: Johnny Cash at Folsom and San Quentin: Photographs by Jim Marshall
- Autor: Jim Marshall
- Categoria: Libros,Arte, cine y fotografÃa,Música
- Tamaño del archivo: 8 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Gratis Johnny Cash at Folsom and San Quentin: Photographs by Jim Marshall de Jim Marshall PDF [ePub Mobi] Gratis
Johnny Cash - Johnny Cash At San Quentin (1969, Vinyl ~ Consulta los créditos, las crÃticas y las canciones, y compra la edición de 1969 Vinyl de Johnny Cash At San Quentin en Discogs.
Pocket Cash: Marshall, Jim: 9780811875622: : Books ~ Johnny Cash at Folsom and San Quentin: Photographs by Jim Marshall by Marty Stuart Hardcover $33.49. In Stock . Johnny Cash at Folsom and San Quentin: Photographs by Jim Marshall Marty . Sul sito ufficiale del fotografo non c'erano tutte le foto della mostra e speravo di trovarle in questo libro, cosa che è accaduta! Sono .
Pocket Cash: Marshall, Jim: : Books ~ Completed just before legendary music photographer Jim Marshall's death, Pocket Cash brings us unique moments from the illustrious career of The Man in Black. From never-before-seen photos of intimate gatherings to iconic pictures of his live recordings at Folsom and San Quentin state prisons, this is a visual tribute to the legendary signer, and to his wife, June Carter Cash.
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