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Natural Glazes: collecting and making (New Ceramics) de Miranda Forrest
Descripción - Críticas This is a very personal account strongly illustrating the love Ms. Forrest has for her environment and her desire to incorporate this into her life and work. The book will be of interest to potters in general and also provide a very useful introduction to the techniques for anyone who wishes to work with found materials. (London Potters News) Reseña del editor Making your own glazes is a fascinating and rewarding process, even more so when making them from collected ingredients. With little equipment and following a few basic principles, it is possible to harvest glaze ingredients from your local environment, such as clay, subsoil, plants and seashells, to achieve beautiful results in the kiln. Whether you wish to make an entire glaze using collected materials, or just want to use them as additions to existing base recipes, Miranda Forrest explains how to source and prepare natural ingredients, from degraded rocks to seaweed, as well as giving step-by-step instructions for mixing a glaze, testing samples, and finally applying glazes and firing your work. Contributions from contemporary ceramicists who use natural glaze ingredients give a detailed insight into their working methods and intriguing results.Encouraging experimentation and a creative approach, Natural Glazes is a vital resource for anyone wishing to work in a more natural, sustainable way to develop their unique glaze effects. Biografía del autor Miranda Forrest is a working ceramicist and graduate of the BA Honours degree at the Glasgow School of Art. Based on the beautiful and remote Outer Hebrides, off the west coast of Scotland, she develops her glazes from locally collected ingredients and the surrounding environment inspires her work.
Detalles del Libro
- Name: Natural Glazes: collecting and making (New Ceramics)
- Autor: Miranda Forrest
- Categoria: Libros,Arte, cine y fotografía,Otros soportes y técnicas
- Tamaño del archivo: 9 MB
- Tipos de archivo: PDF Document
- Descargada: 637 times
- Idioma: Español
- Archivos de estado: AVAILABLE
[Download] Natural Glazes: collecting and making (New Ceramics) de Miranda Forrest libros ebooks
Natural Glazes: Collecting and Making (New Ceramics ~ Natural Glazes: Collecting and Making (New Ceramics): : Forrest, Miranda: Libros en idiomas extranjeros
Natural Glazes : Collecting and Making - Book Depository ~ Natural Glazes covers application and firing techniques such as raku and offers health and environmental safety information. Natural Glazes contains full-color photographs of completed works, charts and tables providing firing times and other data, and insightful essays from other ceramic artists specializing in natural glaze work.
Natural Glazes: Collecting and Making (The New Ceramics ~ Natural Glazes: Collecting and Making (The New Ceramics) [Forrest, Miranda] on . *FREE* shipping on qualifying offers. Natural Glazes: Collecting and Making (The New Ceramics)
Natural glazes : collecting and making (Book, 2013 ~ Get this from a library! Natural glazes : collecting and making. [Miranda Forrest] -- "Like clay, all glaze materials come from the earth. Traditionally, stones, plants, and other natural materials provided the elements for ceramic surface decoration. In an age of synthetic and .
Natural Glazes / Miranda Forrest ~ Natural Glazes Collecting and Making Miranda Forrest. 112 pages / 7 1/2 x 9 3/4 / 140 color illus. Paper 2013 / ISBN 9780812222623 / $29.95a A volume in the series New Ceramics Not for sale outside North America and the Philippines
Natural Glazes: collecting and making (New Ceramics ~ About Natural Glazes. Making your own glazes is a fascinating and rewarding process, even more so when making them from collected ingredients. With little equipment and following a few basic principles, it is possible to harvest glaze ingredients from your local environment, such as clay, subsoil, plants and seashells, to achieve beautiful results in the kiln.
Natural Glazes: Collecting and Making (New Ceramics ~ Buy Natural Glazes: Collecting and Making (New Ceramics) by Forrest, Miranda (ISBN: 9780812222623) from 's Book Store. Everyday low prices and free delivery on eligible orders.
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Different fabrication techniques of ceramics ~ Natural or Auto-Glaze: Normally, the porcelain has the ability to glaze itself by forming a vitrified layer on the surface of dental porcelain ceramic containing a glass phase B. Applied or Add-on Glaze: Dental over glazes are composed of clear (colorless) low fusing glass powder, painted on the fired crown surface; and fired again.
180 / Relief / Plastic Arts / Prueba gratuita de 30 días ~ Speedball Earthenware Glazes 4. Brushes 5. Tools including; slab roller or rolling pin, rubber rib or brayer, knife or needle tool for cutting, serrated rib and a scoring tool (a serrated rib works for this, or a fork or small wire brush) 6. Leaves or other flora 7. Slides or photos of reliefs and of animals in their natural environments.
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Ash Glazes: : Rogers, Phil: 9780713657821: Books ~ Natural Glazes: collecting and making (New Ceramics) Miranda Forrest. 4.5 out of 5 stars 55. . Ottimo libro, chiaro. Una . The book deals with Ash Glazes for potteries and ceramics and the author Phil Rogers not only provided a large overview of the technic but he kindly shared lot of experience he did and even how to get closed results by .
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Chinese Glazes: Their Origins, Chemistry, and Recreation ~ There are many formulas for the most beautiful ancient Chinese glazes. Anyone who loves ceramics whether it is the history or the actual making of ceramic ware this book will explain the glazes, applications and give the formulas for the glazes. The book also tells the origins of the glazes, histories, and provenance of ware.
Ash Glazes: Rogers, Phil: 9780812237214: : Books ~ Ash glaze, as the name suggests, is a glaze derived from ashes. The earliest such glazes can be traced back to the Shang period in China (c. 1500 B.C.), and it is thought they were produced accidentally, the result of white-hot wood ash being carried through the kiln with the draft of the fire and settling onto the pots, where the searing white heat melted it to a glass.
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