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Deux Gymnpédies, Orchestrated by Claude Debussy: Study score de Carl Simpson

Descripción - Reseña del editor Debussy orchestrated two of the three Gymnopedies composed by his friend Erik Satie after giving an impromptu performance of the piano originals at the home of conductor Gustave Doret, who was so taken with them that he commissioned Debussy to prepare an orchestral setting for an upcoming concert, which was given on Feb. 20, 1897.Though Satie's piano originals are easily his most famous and beloved work now, they were virtually unknown in 1897. Debussy's orchestration of the first and last, presented in reverse order, did much to establish the younger composer's reputation. This newly engraved, critical edition makes these exquistite orchestral miniatures available in an affordable, easy-to-read score for the first time.

Detalles del Libro

  • Name: Deux Gymnpédies, Orchestrated by Claude Debussy: Study score
  • Autor: Carl Simpson
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 12 MB
  • Tipos de archivo: PDF Document
  • Descargada: 196 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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Deux Gymnpédies, Orchestrated by Claude Debussy: Study ~ Deux Gymnpédies, Orchestrated by Claude Debussy: Study score: : Satie, Erik, Debussy, Claude, Simpson, Carl: Libros en idiomas extranjeros

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Deux Gymnpédies, Orchestrated by Claude Debussy: Study ~ Deux Gymnpédies, Orchestrated by Claude Debussy: Study score: : Erik Satie, Claude Debussy, Carl Simpson: Libri in altre lingue

Gymnopédies - Wikipedia, la enciclopedia libre ~ Deux Gymnopedies, Orchestrated by Claude Debussy: Study Score. Serenissima Music. p. 3. Whiting, Steven Moore (1999). Satie the Bohemian: From Cabaret to Concert Hall. Oxford University Press. pp. 69-70. Enlaces externos. Wikimedia Commons alberga una categoría multimedia sobre Gymnopédies.

Debussy, Claude in Oxford Music Online / Claude Debussy ~ After the score was published, Debussy carried out a number of changes, notably in order to improve the balance of winds and strings and to refine the . Claude Debussy: lettres à deux amis: 78 lettres inédites à Robert Godet et . Debussy: a Study in Modern Music (Edinburgh, 1908) L. Liebich : Claude­Achille .

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Erik Satie - Gymnopédie No.1 ~ Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was .

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Erik Satie by Mary E. Davis / Gymnopédies / Erik Satie ~ Erik Satie, cultivator of minimalist aesthetics, would have warmed to this crisp biography in the Petit Larousse Illustré, the dictionary that traces its roots to 1856 and stakes its claim as the premier French guide to the ‘evolution of the language and the world’. The brief description conveys much about Satie for anyone who reads between its three concise lines: a quirky personality .

The Critics’ Picks and Pans [Archive] - Opera Forum at ~ The score is based on the atonality of his instrumental works, but still achieves a “pulsing vitality.” Dynamic contrasts, which often include noises, are marked by a hard, unrelenting expressivity, the vocal writing pays scant regard to the production of rounded harmonies, and the whole is held together solely by symbolically placed thematic structures.