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Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation de Nathalie Zonnenberg
Descripción - Reseña del editor Conceptual Art in a Curatorial Perspective focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are frequently not object-based creates challenges when exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies of conceptualist group shows, and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, as well as the influence of curators in their canonization. The aim of the book is not to offer clear-cut practical solutions but to raise awareness within the traditional curatorial field. It is relevant for students of art and culture (particularly museum and curatorial studies), art and museum professionals, and anyone interested in the art of the 1960s and 1970s. Contraportada Auteur Nathalie Zonnenberg analyseert de problematiek rondom het tentoonstellen van ideekunst via drie case studies, en suggereert een alternatieve omgang met 'onbestaanbare' kunstwerken. Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization. The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.
Detalles del Libro
- Name: Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation
- Autor: Nathalie Zonnenberg
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 13 MB
- Tipos de archivo: PDF Document
- Descargada: 264 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Conceptual Art in a Curatorial Perspective - Valiz ~ Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context .
Conceptual art in a curatorial perspective: Between ~ Conceptual art in a curatorial perspective: Between Dematerialization and Documentation: : Nathalie Zonnenberg: Libros en idiomas extranjeros
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Conceptual Art In A Curatorial Perspective: Between ~ 'Conceptual Art in a Curatorial Perspective' focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting them. This book offers various perspectives on how to handl
Conceptual Art in a Curatorial Perspective: Between ~ Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them.
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Conceptual Art in a Curatorial Perspective - Valiz ~ Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation richt zich op de museale praktijk van het tentoonstellen van conceptuele kunst. In het niet-objectmatige karakter van deze kunst ligt een problematiek besloten die het (hernieuwde) tentoonstellen ervan bemoeilijkt.
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Desleer el conceptualismo ~ Ver: Lucy R. Lippard y John Chandler, ‗The Dematerialization of Art‘, Art Internacional, vol. 12, no.2, Febrero 1968, pp. 31-36; y Lucy R. Lippard (ed.), Six Years: The Dematerialization of the Art Object from 1966 to 1972, Nueva York: Praeger, 1973. 2 Diez años después las reverberaciones de la exposición siguen repicando, e incluso hoy con mayor intensidad que antes.
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What is Conceptual Art / Contemporary Art / Works Of Art ~ Conceptual art is not about forms or materials, but about ideas and meanings. It cannot be defined in terms of any medium or style, but rather by the way it questions what art is. In particular, Conceptual art challenges the traditional status of the art object as unique, collectable and
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Materializing “Six Years”- Lucy R. Lippard and the ~ Lippard writes, Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or dematerialized.1 In deliberately making a new type of art that was difficult to sell or exhibit, Conceptual artists were free to rebel against the established art world of dealers, galleries, and museums.
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