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Descripción - Reseña del editor Since it was first published in 1998, Viola Shafik's 'Arab Cinema: History and Cultural Identity' has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history - economic, ideological, and aesthetic - with thought-provoking analysis, 'Arab Cinema' provides a comprehensive overview of cinema in the Arab world, tracing the industry's development from colonial times to the present. It analyzes the ambiguous relationship with commercial western cinema, and the effect of Egyptian market dominance in the region. Tracing the influence on the medium of local and regional art forms and modes of thought, both classical and popular, Shafik shows how indigenous and external factors combine in a dynamic process of 'cultural repackaging.' Now updated to reflect cultural shifts in the last ten years of cinema, this revised edition contains a new afterword highlighting the latest developments in popular film and in cinema d'auteur, with a special focus on Iraq, Lebanon, and Palestine. While exploring problematic issues such as European co-production for Arab art films, including their relation to cultural identity and their reception in the region and abroad, this new edition introduces readers to some of the most compelling cinematic works of the last decade. BiografÃa del autor Viola Shafik studied cinema in Hamburg and is a freelance film scholar and filmmaker. She has directed several documentaries, including The Lemon Tree (1993), which was awarded the prize for best documentary short at the Images of the Arab World Festival in 1993. She is also the author of Popular Egyptian Cinema: Gender, Class, and Nation (AUC Press, 2007).
Arab Cinema: History and Cultural Identity: ~ Arab Cinema: History and Cultural Identity: : Viola Shafik: Libros en idiomas extranjeros
Arab Cinema: History and Cultural Identity - Viola Shafik ~ Since it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history--economic, ideological, and aesthetic--with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry's .
: Arab Cinema: History and Cultural Identity ~ Since it was first published in 1998, Viola Shafik’s Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history―economic, ideological, .
Arab Cinema: History and Cultural Identity ~ Since it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history—economic, ideological, and aesthetic—with thought-provoking analysis, Arab Cinema provides a comprehensive overview of cinema in the Arab world, tracing the industry's .
Cine árabe - Wikipedia, la enciclopedia libre ~ Viola Shafik: Arab Cinema: History and Cultural Identity, Universidad Americana en Cairo, 2015, ISBN 978-9-774-16690-7 Enlaces externos [ editar ] Esta obra contiene una traducción derivada de « Arab cinema » de la Wikipedia en inglés, publicada por sus editores bajo la Licencia de documentación libre de GNU y la Licencia Creative Commons Atribución-CompartirIgual 3.0 Unported .
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La spada dell'Islam - Wikipedia ~ (EN) Viola Shafik, "Arab Cinema: History and Cultural Identity", AUC Press, Cairo-Egypt, 2007. Collegamenti esterni [ modifica / modifica wikitesto ] ( EN ) La spada dell'Islam , su Internet Movie Database , IMDb.
Viola Shafik - Wikipedia, la enciclopedia libre ~ Viola Shafik (Schönaich, 1961) es una cineasta alemana.Es Jefa de Estudios del programa MENA del Campus Documental [1] y fue profesora de Estudios Cinematográficos en la Universidad Americana de El Cairo.. Autora, entre otras obras, de "Arab Cinema: History and Cultural Identity" (AUC-Press, Cairo, 1998) y "Popular Egyptian Cinema: Gender, Class and Nation" (AUC-Press, 2007).
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Third Text - Wikipedia, la enciclopedia libre ~ Third Text (en español, Tercer Texto) es una revista académica británica, de periodicidad bimensual y revisada por pares, que se interesa por el arte en un contexto global. [1] Su fundador y editor fue Rasheed Araeen, que tuvo anteriores incursiones en proyectos como la revista de arte Black Phoenix, que se inició en 1978 y de la que se publicaron tres números.
Alberto Elena - Wikipedia, la enciclopedia libre ~ Alberto Elena DÃaz (Madrid, 8 de junio de 1958 - Madrid, 29 de abril de 2014) fue un profesor e investigador español considerado como uno de los principales estudiosos en España del World Cinema o, como él preferÃa llamarlo, cine periférico. [1
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Helga Tawil-Souri - Wikipedia, la enciclopedia libre ~ Colored Identity: The Politics and Materiality of ID Cards in Palestine/Israel, Social Text 107: 67-97, 2011. The Hi-Tech Enclosure of Gaza, In Mahrene Larudee (ed.), Gaza: Out of the Margins (30-52), 2011. Walking Nicosia, Imagining Jerusalem, Re-Public 4, 2010. Qalandia Checkpoint as Space and Non-Place, Space and Culture 14(1): 4-26, 2011.
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Cine de Somalia - Wikipedia, la enciclopedia libre ~ El cine de Somalia hace referencia a la industria cinematográfica en Somalia, paÃs ubicado al este del continente africano.Las primeras formas de exhibición de pelÃculas públicas en el paÃs fueron las cintas documentales italianas que notificaban eventos clave durante el perÃodo colonial.